Age: 29
female
Klelia Andriolatou (Thessaloniki, 12 October 1996) is a Greek actress and model. She began her modeling career at the age of 14 and became known for her participation in the series Maestro, which was broadcast on Mega and then worldwide on Netflix. She was born and raised in Kalamaria, Thessaloniki. At the age of 14, she began working as a model, after being discovered by Elena Christopoulou. She worked in international productions and was photographed for Vogue and ELLE magazines. She later studied Journalism and Public Relations at the Aristotle University of Thessaloniki, while also studying acting at the Theater of Changes, the Theater on Kolonos and the Drama School of the Athens Conservatory. In 2014, she made her debut in the television series Brusko on ANT1, where she played Alexandra. In 2022, she starred in the series Maestro by Christoforos Papakaliatis, in the role of Klelia, a young musician in Paxos. The series was initially broadcast on Mega and later became the first Greek series to be broadcast on Netflix. In 2021, she participated in the social film 18 directed by Vasilis Douvlis. In 2023, she starred in the film The Last Taxi Driver, directed by Stergios Paschos. The film premiered at the 64th Thessaloniki International Film Festival and received positive reviews, while Andriolatou was nominated for the Iris Award for Best Actress. In 2025, she is expected to star in the film Mykonos, an international production produced by Giannis Antetokounmpo.
The series reimagines Homer’s ancient epic through a raw, historical lens, unfolding across four episodes as a dark, psychological thriller about survival, generational trauma, and the horrific cost of war. Stripped of classic fantasy tropes, the story follows Odysseus, a battle-scarred and hollowed-out veteran enduring his final days of isolation on Ogygia before embarking on a grueling journey back to a home he barely recognizes. In his absence, the Ithacan palace has fallen into decay, besieged by a predatory swarm of high-status sociopaths led by the brutal Antinous and the calculating Eurymachus. These suitors systematically consume the kingdom's wealth, gaslighting the hyper-vigilant Queen Penelope and plotting the assassination of her anxious, lanky son, Telemachus.As Odysseus navigates the monstrous physical fallout of his past and the haunting, restless ghosts of the Underworld, the series explores the deep rift between mythic legacy and human vulnerability. The narrative balances grounded, visceral realism with an unsettling, ancient divinity, orchestrated by the unblinking, cold strategy of Athena and the intoxicating possessiveness of Calypso. When the wandering king finally returns to Ithaca disguised as a frail beggar, he finds a house fractured by shifting loyalties - contrasting the fierce devotion of the old nurse Eurycleia and the weather-hardened swineherd Eumaeus against the venomous betrayal of the maid Melantho and her opportunistic brother Melanthius. This pressure-cooker environment builds toward an explosive, claustrophobic bloodbath inside the locked limestone Great Hall. Rather than a glorious triumph, the violent reclamation of his throne is a messy, traumatizing execution that leaves the family physically and emotionally broken. The series strips away the romanticism of heroics to expose a haunting, slow-burn psychological truth: the true battle begins only when the war is over.
