Age: 37
male
Rupert Alexander Lloyd Grint (born August 24, 1988) is an English actor. Grint rose to fame for his role as Ron Weasley in the Harry Potter film series. He was cast as Weasley at age eleven, having previously acted only in school plays and his local theatre group. Since then, he continued his work on film, television, and theatre. Beginning in 2002, he began to work outside of the Harry Potter franchise, with a co-leading role in Thunderpants. He has had starring roles in Driving Lessons, a dramedy released in 2006, and Cherrybomb, a limited-release drama film in 2010. He co-starred with Bill Nighy and Emily Blunt in the comedy Wild Target. His first film project after the Harry Potter series was a supporting role in the 2012 anti-war film Into the White. In 2013, his film CBGB was released, and he was cast in CBS's new show Super Clyde. He made his stage debut in Jez Butterworth's Mojo in October 2013 at the Harold Pinter Theatre in London. In 2014, he voiced the character of Josh in Postman Pat: The Movie; and from 2017 to 2018, he executive-produced and starred in the television series Snatch, based on the film of the same name. Since 2019, he stars in the Apple TV+ psychological horror series Servant.
She inherited the house. The house had its own ideas about inheritance. A gothic supernatural horror film that understands horror as a psychological state before it is a genre. Nadia Alcott, 28, inherits a large, isolated house in the Pacific Northwest from a great-aunt she never met. She is a bookbinder — someone whose professional life is about restoration and preservation, about the care of fragile, damaged things — and she arrives at the house intending to stay only long enough to assess what to do with it. The house has a specific quality: it is full of other people's memories, not as a metaphor but as a literal presence. Objects hold impressions. Rooms hold echoes. At night, the house shows Nadia things — not ghosts, exactly, but the residue of every significant emotional event that occurred within its walls. Some of these residues are beautiful. Some are terrible. All of them are pulling Nadia toward something the house wants her to understand. The film is a slow, patient, deeply atmospheric horror that earns its dread through accumulation rather than shock. Its climax is not a confrontation with a monster but a confrontation with a truth that has been building since the film's opening frame. Act One — The Arrival Nadia arrives. The house establishes its quality. The first memory fragment. The introduction of Daniel. The sense that the house has been waiting. Act Two — The Archive The accumulation of memories. What the house shows becoming more specific, more emotionally demanding. Nadia's sleep deteriorating. The question of why this house, why her. Act Three — The Inheritance The truth the house has been leading her toward. What Vivienne left behind and why. The ending is not horror's resolution but emotional completion — Nadia understanding something about herself she could not have understood without this house.
