Age: 40
female
Amanda Michelle Seyfried (/ˈsaɪfrɛd/ SY-fred; born December 3, 1985) is an American actress. She began acting at 15, with recurring roles as Lucy Montgomery in the CBS soap opera As the World Turns (1999–2001) and Joni Stafford in the ABC soap opera All My Children (2003). She came to prominence for her feature film debut in the teen comedy Mean Girls (2004) and her roles as Lilly Kane in the UPN mystery drama series Veronica Mars (2004–2006) and Sarah Henrickson in the HBO drama series Big Love (2006–2011). Seyfried has starred in many films, including Mamma Mia! (2008) and its sequel Mamma Mia! Here We Go Again (2018), Jennifer's Body (2009), Dear John (2010), Letters to Juliet (2010), Red Riding Hood (2011), In Time (2011), Les Misérables (2012), A Million Ways to Die in the West (2014), Ted 2 (2015), and First Reformed (2017). Seyfried received critical acclaim and nominations for the Academy Award and Golden Globe Award for Best Supporting Actress for portraying Marion Davies in David Fincher's biopic Mank (2020). For her starring role as Elizabeth Holmes in the Hulu miniseries The Dropout (2022), she won the Golden Globe Award and Primetime Emmy Award for Outstanding Lead Actress. In 2022, Time named her one of the 100 most influential people in the world. Description above from the Wikipedia Amanda Seyfried, article licensed under CC-BY-SA, full list of contributors on Wikipedia.
Amanda Seyfried
Joni Mitchell
for Joni Mitchell in The Hollies: The Air That I Breathe (Biopic)
Suggested by nickienicks
"The Hollies: The Air That I Breathe" is a drama about brotherhood, ambition, and the geometry of sound. The film begins in the grimy, industrial clubs of Manchester in 1962, where childhood friends Allan Clarke and Graham Nash discover that their voices blend into a perfect, "third voice" harmony. Unlike the rough-and-tumble Rolling Stones or the cheeky Beatles, The Hollies are portrayed as musical architects—disciplined, sharp-suited, and obsessed with creating the perfect pop song. The central conflict arises as the 60s turn psychedelic. While Allan Clarke wants to continue dominating the charts with hit after hit ("Bus Stop," "Carrie Anne"), Graham Nash feels the pull of the counterculture and artistic experimentation, gazing longingly toward America and the Laurel Canyon scene. The film dissects the painful divorce of a musical partnership when Nash quits to form Crosby, Stills & Nash, leaving Clarke and the band terrified of obsolescence. The climax focuses on the band's reinvention, the emotional recording of "He Ain't Heavy, He's My Brother" (with a young Elton John on piano), and their ultimate survival as the band that kept playing when everyone else fell apart.
