Age: 34
male
Austin Robert Butler (born August 17, 1991) is an American actor. Butler began his career on television, first in roles on Disney Channel and Nickelodeon, most notably on Zoey 101 (2007–2008), and later on teen dramas, including recurring parts on The CW's Life Unexpected (2010–2011) and Switched at Birth (2011–2012). He gained recognition for starring in The Carrie Diaries (2013–2014) and The Shannara Chronicles (2016–2017). Butler made his Broadway debut in the 2018 revival of The Iceman Cometh and portrayed Tex Watson in Quentin Tarantino's film Once Upon a Time in Hollywood (2019). Butler gained wider prominence for his portrayal of Elvis Presley in Baz Luhrmann's Elvis (2022), for which he won the Golden Globe and BAFTA Award and was also nominated for the Academy Award for Best Actor. Time magazine named him one of the 100 most influential people in the world in 2023. He has since starred as Gale Cleven in the war drama miniseries Masters of the Air (2024) and Feyd-Rautha Harkonnen in the science fiction film Dune: Part Two (2024). Description above from the Wikipedia article Austin Butler, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Austin Butler
David Crosby
for David Crosby in The Hollies: The Air That I Breathe (Biopic)
Suggested by nickienicks
"The Hollies: The Air That I Breathe" is a drama about brotherhood, ambition, and the geometry of sound. The film begins in the grimy, industrial clubs of Manchester in 1962, where childhood friends Allan Clarke and Graham Nash discover that their voices blend into a perfect, "third voice" harmony. Unlike the rough-and-tumble Rolling Stones or the cheeky Beatles, The Hollies are portrayed as musical architects—disciplined, sharp-suited, and obsessed with creating the perfect pop song. The central conflict arises as the 60s turn psychedelic. While Allan Clarke wants to continue dominating the charts with hit after hit ("Bus Stop," "Carrie Anne"), Graham Nash feels the pull of the counterculture and artistic experimentation, gazing longingly toward America and the Laurel Canyon scene. The film dissects the painful divorce of a musical partnership when Nash quits to form Crosby, Stills & Nash, leaving Clarke and the band terrified of obsolescence. The climax focuses on the band's reinvention, the emotional recording of "He Ain't Heavy, He's My Brother" (with a young Elton John on piano), and their ultimate survival as the band that kept playing when everyone else fell apart.
