Age: 42
male
Gwilym Lee (born 24 November 1983) is a Welsh actor. He is best known for his film roles in Bohemian Rhapsody (2018) and Top End Wedding (2019). He is also known for his TV roles in Midsomer Murders (2013-2015), Jamestown (2017), and The Great (2020). His first starring role was in the 1997-1998 television adaptation of the Animal Ark books. Aged 16, he started working on Richard III with the Royal Shakespeare Company. He appeared in a leading role in the final series of Land Girls (2011) and had several guest roles on television (including Ashes to Ashes (2009), Henry V (2012), Fresh Meat (2012), and Monroe (2012)). He was commended in the 2008 Ian Charleson Awards for his appearance in the National Theatre's production of Oedipus and in 2009 played Laertes in the Donmar West End season. He won the first prize of the 2011 Ian Charleson Award for his role as Edgar in the 2010 King Lear production at the Donmar Warehouse. In 2012, he starred in Aleksei Arbuzov's The Promise, and, in 2013, he began a television starring role as DCI Barnaby's new sergeant, DS Charlie Nelson, in the 16th series of Midsomer Murders. He played guitarist Brian May in the Queen biopic Bohemian Rhapsody (2018), for which earned him a nomination for Outstanding Performance by a Cast in a Motion Picture at the 25th Screen Actors Guild Awards. Description above is from the Wikipedia article Gwilym Lee, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Gwilym Lee
Bobby Elliott
for Bobby Elliott in The Hollies: The Air That I Breathe (Biopic)
Suggested by kaueoliveira
"The Hollies: The Air That I Breathe" is a drama about brotherhood, ambition, and the geometry of sound. The film begins in the grimy, industrial clubs of Manchester in 1962, where childhood friends Allan Clarke and Graham Nash discover that their voices blend into a perfect, "third voice" harmony. Unlike the rough-and-tumble Rolling Stones or the cheeky Beatles, The Hollies are portrayed as musical architects—disciplined, sharp-suited, and obsessed with creating the perfect pop song. The central conflict arises as the 60s turn psychedelic. While Allan Clarke wants to continue dominating the charts with hit after hit ("Bus Stop," "Carrie Anne"), Graham Nash feels the pull of the counterculture and artistic experimentation, gazing longingly toward America and the Laurel Canyon scene. The film dissects the painful divorce of a musical partnership when Nash quits to form Crosby, Stills & Nash, leaving Clarke and the band terrified of obsolescence. The climax focuses on the band's reinvention, the emotional recording of "He Ain't Heavy, He's My Brother" (with a young Elton John on piano), and their ultimate survival as the band that kept playing when everyone else fell apart.
