Age: 36
male
Aaron Perry Taylor-Johnson (né Johnson; born 13 June 1990) is a British actor. His accolades include a Golden Globe Award, in addition to nominations for two British Academy Film Awards and a British Independent Film Award. As a child actor, Taylor-Johnson performed in films including Shanghai Knights (2003), The Illusionist (2006), and Angus, Thongs and Perfect Snogging (2008). He had his breakthrough performance as John Lennon in the biopic Nowhere Boy (2009), directed by Sam Taylor-Wood, whom he married in 2012, adding her surname. He gained recognition for his portrayal of the title character in Kick-Ass (2010) and its sequel, Kick-Ass 2 (2013), as well as for performances in the crime thriller Savages (2012), the period drama Anna Karenina (2012), and the monster film Godzilla (2014). Taylor-Johnson next portrayed the Marvel Cinematic Universe character Pietro Maximoff in Avengers: Age of Ultron (2015). For playing a psychopathic drifter in the thriller film Nocturnal Animals (2016), he won the Golden Globe Award for Best Supporting Actor. He has since appeared in the action films Tenet (2020), Bullet Train (2022) and The Fall Guy (2024), as well as starring roles in the horror films Nosferatu (2024) and 28 Years Later (2025). Description above from the Wikipedia article Aaron Taylor-Johnson, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Carter family makes a vacation travel to New Mexico. But in the half way, they get trapped near to the mountains and suddenly they find they're not alone. The danger is upon them, when they become the victims of a monstrous family of cannibal mutants that lives in a abandoned village behind the mountains. Things get worse when the baby of Carter family is kidnapped. Doug, the patriarchs son in law, has to go to the village to rescue his daughter...or become in the dinner. With a darkest style of filming, and focused in the suspense, mystery, and horror survival technique (and with some references to resident evil 4 and movies like Mad Max fury road, the road visual style) along with the photography Lubenzky, this new remake of Wes Craven focus on become bring another way of narrative
