
Died at 90
male
Donald McNichol Sutherland (July 17, 1935 – June 20, 2024) was a Canadian actor whose film career spanned over 6 decades. He was nominated for eight Golden Globe Awards, winning two for his performances in the television films Citizen X (1995) and Path to War (2002); the former also earned him a Primetime Emmy Award. An inductee of the Hollywood Walk of Fame and Canadian Walk of Fame, he also received a Canadian Academy Award for the drama film Threshold (1981). Multiple film critics and media outlets have cited him as one of the best actors never to have received an Academy Award nomination. In 2017, he received an Academy Honorary Award for his contributions to cinema. In 2021, he won the Critics' Choice Television Award for Best Supporting Actor in a Movie/Miniseries for his work in the HBO miniseries The Undoing (2020). Sutherland rose to fame after starring in films including The Dirty Dozen (1967), M*A*S*H (1970), Kelly's Heroes (1970), Klute (1971), Don't Look Now (1973), Fellini's Casanova (1976), 1900 (1976), The Eagle Has Landed (1976), Animal House (1978), Invasion of the Body Snatchers (1978), Ordinary People (1980), and Eye of the Needle (1981). He later went on to star in many other films where he appeared either in leading or supporting roles such as A Dry White Season (1989), JFK (1991), Outbreak (1995), A Time to Kill (1996), The Assignment (1997), Without Limits (1998), Big Shot's Funeral (2001), The Italian Job (2003), Cold Mountain (2003), Pride & Prejudice (2005), Aurora Borealis (2006) and The Hunger Games franchise (2012–2015). He was the father of actors Kiefer Sutherland, Rossif Sutherland, and Angus Sutherland.

On an island off the coast of Ireland, guests gather to celebrate two people joining their lives together as one. The groom: handsome and charming, a rising television star. The bride: smart and ambitious, a magazine publisher. It’s a wedding for a magazine, or for a celebrity: the designer dress, the remote location, the luxe party favors, the boutique whiskey. The cell phone service may be spotty and the waves may be rough, but every detail has been expertly planned and will be expertly executed. But perfection is for plans, and people are all too human. As the champagne is popped and the festivities begin, resentments and petty jealousies begin to mingle with the reminiscences and well wishes. The groomsmen begin the drinking game from their school days. The bridesmaid not-so-accidentally ruins her dress. The bride’s oldest (male) friend gives an uncomfortably caring toast. And then someone turns up dead. Who didn’t wish the happy couple well? And perhaps more important, why? Based on Lucy Foley's 2020 novel.
