Age: 40
female
Gemma Christina Arterton (born 2 February 1986) is an English actress and producer. After her stage debut in Shakespeare's Love's Labour's Lost at the Globe Theatre (2007), Arterton made her feature film debut in the comedy St Trinian's (2007). She portrayed Bond Girl Strawberry Fields in the James Bond film Quantum of Solace (2008), a performance which won her an Empire Award for Best Newcomer. Arterton has since appeared in a number of films, including The Disappearance of Alice Creed (2009), Tamara Drewe (2010), Clash of the Titans (2010), Prince of Persia: The Sands of Time (2010), Hansel & Gretel: Witch Hunters (2013), Their Finest (2016), The Escape (2017), and Vita and Virginia (2018). She received the Harper's Bazaar Woman of the Year Award for acting in and producing The Escape. Her theatrical highlights have included starring in The Duchess of Malfi (2014), Made in Dagenham (2014), Nell Gwynn (2016) and Saint Joan (2017). Arterton was nominated for Olivier Awards for her work on both Nell Gwynn and Made in Dagenham, and she won the Evening Standard Theatre Award for the latter. Since 2016, Arterton has run her own production company, Rebel Park Productions, which focuses on creating female-led content in front of and behind the camera. She has executive-produced four feature films and two short films. She is also on record as being a supporter of the Time's Up, ERA 50:50 and MeToo movements. Arterton played an integral role in persuading actresses to wear black at the 2018 BAFTAs in support of Time'sUp, and has been involved with ERA 50:50, an equal pay campaign in the UK, since its inception.
Gemma Arterton
Noelle Somerville
for Noelle Somerville in The Gresham Chronicles
Suggested by devahutiraichaliha
Julia Hollis' opulent life in Victorian London crashes to pieces when her husband passes away. Worse, she is told by his bankers that he gambled away their fortune. Now, the family's hope rests on The Larkspur, an old abandoned coaching inn in the quaint village of Gresham. Driven by dread and her desire to provide for her children, Julia decides to turn the dilapidated inn into a lodging house. But can she--who was accustomed to servants attending to every need--do what needs to be done and cope when boarders begin arriving? And then an eligible new vicar moves into town... Love is in the air. As the wedding of Julia Hollis and Vicar Andrew Phelps approaches, the quaint English village is caught up in a stir of excitement and the promise of an event to remember. Andrew's daughter Elizabeth is being courted by a handsome young curate. But the man she once loved suddenly appears at her door, wanting to prove he's now worthy of her affection. Who will win the hand of the vicar's daughter?
