Age: 63
male
Mark Anthony "Baz" Luhrmann (born 17 September 1962) is an Australian filmmaker and actor with projects spanning film, television, opera, theatre, music and recording industries. He is regarded by some as a contemporary example of an auteur for his style and deep involvement in the writing, directing, design, and musical components of all his work. He is the most commercially successful Australian director, with four of his films in the top ten highest worldwide grossing Australian films of all time. On the screen he is best known for his "Red Curtain Trilogy", consisting of his romantic comedy film Strictly Ballroom (1992), and the romantic tragedies William Shakespeare's Romeo + Juliet (1996) and Moulin Rouge! (2001). Following the trilogy, projects included Australia (2008), The Great Gatsby (2013), Elvis (2022), and his television period drama The Get Down (2016) for Netflix. Additional projects include stage productions of Giacomo Puccini's La bohème for both the Australian Opera and Broadway and Strictly Ballroom the Musical (2014). Luhrmann is equally known for his Grammy-nominated soundtracks for Moulin Rouge! and The Great Gatsby, as well as his record label House of Iona, a co-venture with RCA Records. Serving as producer on all of his musical soundtracks, he also holds writing credits on many of the individual tracks. His album Something for Everybody features music from many of his films and also includes his hit "Everybody's Free (To Wear Sunscreen)".
Baz Luhrmann
Director
for Director in The Greatest Showman (1997)
Suggested by Jeshisthename
Barnum loses his job as a clerk at a shipping company after the company goes bankrupt, and returns home for Caroline's birthday. He takes out a loan from a bank, deceiving them into accepting his former employer's lost ships as collateral. He uses this loan to set up Barnum's American Museum in downtown Manhattan, an attraction showcasing various wax models. Initially, sales are slow. On the suggestion of his children to showcase something "alive", Barnum searches for "freaks" to serve as performers for his museum. He gathers a large group of them, including bearded lady Lettie Lutz. This attracts a large audience despite protests and poor reviews from well-known critic James Gordon Bennett, prompting Barnum to rename his venture "Barnum's Circus".
