Age: 49
male
Paul John Ready (born 23 June 1977) is a British actor known for portraying Kevin Brady in Motherland (2016-2022), Lee in Utopia (2013–2014), Rob MacDonald in Bodyguard (2018), and Henry Goodsir in The Terror (2018). His film credits include The Death of Stalin (2017), The Dig (2021), Heart of Stone (2023), and Bring Them Down (2025). He is recognised for his ability to take on diverse roles and bring depth to his characters in different genres. Paul was born in Birmingham and, growing up in the town of Harborne, he attended King Edward VI Five Ways school. He went on to train at London Academy of Music and Dramatic Art and, at the age of 17, he played Romeo in the National Youth Theatre production of Romeo and Juliet at London's Bloomsbury Theatre, playing opposite Rosamund Pike's Juliet. He is a regular at the National and Royal Court theatres. Past appearances have included leading parts in Major Barbara and Saint Joan (both plays by George Bernard Shaw) and Time and the Conways by J.B. Priestley. His West End credits include One Flew Over the Cuckoo's Nest, which starred Christian Slater. Ready is married to actress and writer Michelle Terry, whom he met in Shakespeare's Globe 2009 production of Love's Labour's Lost — they have one daughter. In 2018 he starred as the titular character in Macbeth at the Sam Wanamaker Playhouse, opposite Terry as Lady Macbeth. In 2020, he and Terry returned to the Sam Wanamaker Playhouse as Petruchio and Biondello respectively in The Taming of the Shrew. In 2025, he starred in Chekhov's Three Sisters as Aleksandr Vershinin, once again alongside Terry. Paul received a commendation at the Ian Charleson Awards in 2003.
An ITW Thriller Award finalist. She’s a friendly voice on the phone. But can you trust her? The people who call End of the Line need hope. They need reassurance that life is worth living. But some are unlucky enough to get through to Laura. Laura doesn’t want them to hope. She wants them to die. Laura hasn’t had it easy: she’s survived sickness and a difficult marriage only to find herself heading for forty, unsettled and angry. She doesn’t love talking to people worse off than she is. She craves it. But now someone’s on to her―Ryan, whose world falls apart when his pregnant wife ends her life, hand in hand with a stranger. Who was this man, and why did they choose to die together? The sinister truth is within Ryan’s grasp, but he has no idea of the desperate lengths Laura will go to… Because the best thing about being a Good Samaritan is that you can get away with murder. Revised edition: This edition of The Good Samaritan includes editorial revisions.
