
Age: 41
female
Carey Hannah Mulligan (born 28 May 1985) is an English actress. She has received various accolades, including a British Academy Film Award, in addition to nominations for three Academy Awards, four Golden Globe Awards, and a Tony Award. She was appointed Commander of the Order of the British Empire (CBE) in 2024. Mulligan made her professional acting debut on stage in Kevin Elyot's play Forty Winks (2004) at the Royal Court Theatre. She made her film debut with a supporting role in Joe Wright's romantic drama Pride & Prejudice (2005), followed by diverse roles in television, including the drama series Bleak House (2005), the television film Northanger Abbey (2007), and guest starring in the Doctor Who episode "Blink" (2007). She made her Broadway debut in the revival of Anton Chekhov's The Seagull (2008). Mulligan's breakthrough role came as a 1960s schoolgirl in the coming-of-age film An Education (2009), for which she won the BAFTA Award for Best Actress and received a nomination for the Academy Award for Best Actress. Her career progressed with roles in Never Let Me Go (2010), Drive (2011), Shame (2011), Inside Llewyn Davis (2013), Far from the Madding Crowd (2015), Suffragette (2015), Mudbound (2017), Wildlife (2018), and She Said (2022), and she had her highest-grossing release in the period drama The Great Gatsby (2013). For her performance in the Broadway revival of David Hare's Skylight (2015), she was nominated for the Tony Award for Best Actress in a Play. She received further Academy Award nominations for her portrayals of a vigilante in the black comedy Promising Young Woman (2020) and Felicia Montealegre in the biopic Maestro (2023).

Theo Decker, a 13-year-old New Yorker, miraculously survives an accident that kills his mother. Abandoned by his father, Theo is taken in by the family of a wealthy friend. Bewildered by his strange new home on Park Avenue, disturbed by schoolmates who don't know how to talk to him, and tormented above all by a longing for his mother, he clings to the one thing that reminds him of her: a small, mysteriously captivating painting that ultimately draws Theo into a wealthy and insular art community. As an adult, Theo moves silkily between the drawing rooms of the rich and the dusty labyrinth of an antiques store where he works. He is alienated and in love — and at the center of a narrowing, ever more dangerous circle.
