Age: 64
male
Terence Oliver Blanchard (born March 13, 1962) is an American jazz trumpeter and composer. He has also written two operas and more than 80 film and television scores. Blanchard has been nominated for two Academy Awards for Original Score for BlacKkKlansman (2018) and Da 5 Bloods, both directed by Spike Lee, a frequent collaborator. Blanchard started his career in 1980, playing in the Lionel Hampton Orchestra while studying jazz at Rutgers University. In 1982, just before he turned 20, he dropped out of Rutgers to join The Jazz Messengers, launching a professional career now in its fifth decade. The Metropolitan Opera in New York staged Blanchard's opera Fire Shut Up in My Bones in its 2021–2022 season, the first opera by an African American composer in the organization's history. Blanchard is also a passionate educational mentor. From 2000 to 2011, Blanchard served as artistic director of the Thelonious Monk Institute of Jazz. In 2011, he was named artistic director of the Henry Mancini Institute at the University of Miami, and in 2015, he became a visiting scholar in jazz composition at the Berklee College of Music. In 2019, the University of California, Los Angeles (UCLA) named Blanchard to its Endowed Chair in Jazz Studies, where he remained until 2023. In 2023, SFJAZZ announced the appointment of Blanchard as Executive Artistic Director. He leads the organization's artistic programming and guides its overall creative direction. Blanchard was selected as the 2024 National Endowment for the Arts Jazz Masters. The program is one of the most prestigious honours in jazz. Abbey Lincoln, Herbie Hancock, Chick Corea and Sonny Rollins are among the 173 fellows recognized by the NEA as great figures of jazz. Description above from the Wikipedia article Terence Blanchard, licensed under CC-BY-SA, full list of contributors on Wikipedia.
The Glass Menagerie is a memory play by Tennessee Williams that premiered in 1944 and catapulted Williams from obscurity to fame. The play has strong autobiographical elements, featuring characters based on its author, his histrionic mother, and his mentally fragile sister Laura. In writing the play, Williams drew on an earlier short story, as well as a screenplay he had written under the title of The Gentleman Caller. The play premiered in Chicago in 1944. After a shaky start, it was championed by Chicago critics Ashton Stevens and Claudia Cassidy, whose enthusiasm helped build audiences so the producers could move the play to Broadway where it won the New York Drama Critics' Circle Award in 1945. The Glass Menagerie was Williams' first successful play; he went on to become one of America's most highly regarded playwrights.
