Age: 37
male
Daniel Kaluuya (/kəˈluːjə/; born 24 February 1989) is a British actor and filmmaker. His work encompasses both screen and stage, and his accolades include an Academy Award, two British Academy Film Awards, and a Golden Globe Award. In 2021, he was named among the 100 most influential people in the world by Time magazine. Kaluuya began his acting career as a teenager in improvisational theatre. He played Posh Kenneth in the first two seasons of the television series Skins (2007–2009); he also co-wrote some of the episodes. Kaluuya drew praise for his leading performance in Sucker Punch at the Royal Court Theatre in 2010. He went on to gain attention for his television roles in Psychoville (2009–2011), The Fades (2011), and the Black Mirror episode "Fifteen Million Merits" (2011). He also had supporting roles in the films Johnny English Reborn (2011), Kick-Ass 2 (2013), and Sicario (2015). In 2017, Kaluuya had his breakthrough starring in Jordan Peele's horror film Get Out, which garnered him a nomination for the Academy Award for Best Actor. This was followed by roles in Ryan Coogler's superhero film Black Panther (2018), Steve McQueen's crime drama Widows (2018), Peele's horror film Nope (2022), and Sony Pictures Animation's animated superhero film Spider-Man: Across the Spider-Verse (2023). For his portrayal of Black Panther Party leader Fred Hampton in the biopic Judas and the Black Messiah (2021), he won the BAFTA and Academy Award for Best Supporting Actor. He has since co-directed the drama The Kitchen (2023). Description above from the Wikipedia article Daniel Kaluuya, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Daniel Kaluuya
Tom Wingfield
for Tom Wingfield in The Glass Menagerie (all black cast)
Suggested by harel
Amanda Wingfield, a faded Southern belle of middle age, shares a dingy St. Louis apartment with her son Tom, in his early 20s, and his slightly older sister, Laura. Although she is a survivor and a pragmatist, Amanda yearns for the comforts and admiration she remembers from her days as a fêted debutante. She worries especially about the future of her daughter Laura, a young woman with a limp (an after-effect of a bout of pleurosis) and a tremulous insecurity about the outside world. Tom works in a shoe warehouse doing his best to support the family. He chafes under the banality and boredom of everyday life and struggles to write while spending much of his spare time going to the movies — or so he says — at all hours of the night.
