
Age: 55
female
Regina Rene King (born January 15, 1971) is an American actress, director and producer. She has received various accolades, including an Academy Award, a Golden Globe Award, and four Primetime Emmy Awards. In 2019, Time magazine named her one of the 100 most influential people in the world. King first gained attention for starring in the television sitcom 227 (1985–1990). Her subsequent roles included the film Friday (1995), the animated series The Boondocks (2005–2014), and the crime television series Southland (2009–2013). She received four Primetime Emmy Awards for her performances in the ABC anthology series American Crime (2015–2017), the Netflix miniseries Seven Seconds, and the HBO limited series Watchmen (2019). Her other television roles include the drama series The Leftovers (2015–2017) and the sitcom The Big Bang Theory (2013–2019). She has also played supporting roles in the drama films Boyz n the Hood (1991), Poetic Justice (1993), How Stella Got Her Groove Back (1998), and Ray (2004), as well as in the comedies Down to Earth (2001), Legally Blonde 2: Red, White & Blonde (2003), A Cinderella Story (2004), and Miss Congeniality 2: Armed & Fabulous (2005). She earned critical acclaim, as well as the Academy Award for Best Supporting Actress, for her role in If Beale Street Could Talk (2018). She then starred in the western The Harder They Fall (2021) and played the title role in the biopic Shirley (2024). King has directed episodes for several television shows, including Scandal in 2015 and 2016 and This Is Us in 2017. She has also directed the music video for the 2010 song "Finding My Way Back" by Jaheim. King's feature film directorial debut came with the drama One Night in Miami... (2020), which earned her a nomination for the Golden Globe Award for Best Director. Description above from the Wikipedia article Regina King, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Regina King

Amanda Wingfield
for Amanda Wingfield in The Glass Menagerie (all black cast)
Suggested by harel

Amanda Wingfield, a faded Southern belle of middle age, shares a dingy St. Louis apartment with her son Tom, in his early 20s, and his slightly older sister, Laura. Although she is a survivor and a pragmatist, Amanda yearns for the comforts and admiration she remembers from her days as a fêted debutante. She worries especially about the future of her daughter Laura, a young woman with a limp (an after-effect of a bout of pleurosis) and a tremulous insecurity about the outside world. Tom works in a shoe warehouse doing his best to support the family. He chafes under the banality and boredom of everyday life and struggles to write while spending much of his spare time going to the movies — or so he says — at all hours of the night.

