Age: 42
male
Paul Franklin Dano (born June 19, 1984) is an American actor. He began his career on Broadway before making his film debut in The Newcomers (2000). He won the Independent Spirit Award for Best Debut Performance for his role in L.I.E. (2001) and received accolades for his role as Dwayne Hoover in Little Miss Sunshine (2006). For his dual roles as Paul and Eli Sunday in Paul Thomas Anderson's There Will Be Blood (2007), he was nominated for the BAFTA Award for Best Supporting Actor. Dano has also received accolades for roles such as John Tibeats in Steve McQueen's 12 Years a Slave (2013) and Alex Jones in Denis Villeneuve's Prisoners (2013). His acting portrayal of musician Brian Wilson in Love & Mercy (2014) earned him a Golden Globe nomination in the category of Best Supporting Actor. Dano made his directorial debut with the drama film Wildlife (2018), based on the novel by Richard Ford. He co-wrote the screenplay with his partner Zoe Kazan. In 2018, he starred in the Showtime miniseries Escape at Dannemora, for which he received a Primetime Emmy Award nomination for Outstanding Supporting Actor in a Limited Series or Movie. In 2022, he played Edward Nashton / The Riddler in The Batman.
Vincent is a bartender at the Hotel Caiette, a five-star lodging on the northernmost tip of Vancouver Island. On the night she meets Jonathan Alkaitis, a hooded figure scrawls a message on the lobby’s glass wall: Why don’t you swallow broken glass. High above Manhattan, a greater crime is committed: Alkaitis is running an international Ponzi scheme, moving imaginary sums of money through clients’ accounts. When the financial empire collapses, it obliterates countless fortunes and devastates lives. Vincent, who had been posing as Jonathan’s wife, walks away into the night. Years later, a victim of the fraud is hired to investigate a strange occurrence: a woman has seemingly vanished from the deck of a container ship between ports of call. In this captivating story of crisis and survival, Emily St. John Mandel takes readers through often hidden landscapes: campgrounds for the near-homeless, underground electronica clubs, the business of international shipping, service in luxury hotels, and life in a federal prison. Rife with unexpected beauty, The Glass Hotel is a captivating portrait of greed and guilt, love and delusion, ghosts and unintended consequences, and the infinite ways we search for meaning in our lives.
