Age: 68
male
Hans Florian Zimmer (born 12 September 1957) is a German film score composer and music producer. He has won two Oscars, four Grammys, and has been nominated for three Emmys and a Tony. Zimmer was also named on the list of Top 100 Living Geniuses, published by The Daily Telegraph in 2007. His works are notable for integrating electronic music sounds with traditional orchestral arrangements. Since the 1980s, Zimmer has composed music for over 150 films. He has won two Academy Awards for Best Original Score for The Lion King (1994) and for Dune (2021). His works include Gladiator, The Last Samurai, the Pirates of the Caribbean series, The Dark Knight trilogy, Inception, Man of Steel, Interstellar, Dunkirk, No Time to Die, and the Dune series. Zimmer spent the early part of his career in the United Kingdom before moving to the United States. He is the head of the film music division at DreamWorks Pictures and DreamWorks Animation studios and works with other composers through the company that he founded, Remote Control Productions, formerly known as Media Ventures. His studio in Santa Monica, California, has an extensive range of computer equipment and keyboards, allowing demo versions of film scores to be created quickly. Zimmer has collaborated on multiple projects with directors including Christopher Nolan, Ridley Scott, Ron Howard, Gore Verbinski, Michael Bay, Guy Ritchie, Denis Villeneuve, and Tony Scott. Description above from the Wikipedia article Hans Zimmer, licensed under CC-BY-SA, full list of contributors on Wikipedia.
All her life Fern has been told she is blind to reality—but, what if she is the only one who can truly see? Fern Johnson is crazy. At least, that's what the doctors have claimed since her childhood. Now nineteen, and one step away from a psych ward, Fern struggles to survive in bustling Los Angeles. Desperate to appear normal, she represses the young man flickering at the edge of her awareness—a blond warrior only she can see. Tristan was Fern's childhood imaginary hero, saving her from monsters under her bed and outside her walls. As she grew up and his secret world continued to bleed into hers, however, it only caused catastrophe. But, when the city is rocked by the unexplainable, Fern is forced to consider the possibility that this young man is not a hallucination after all—and that the creature who decimated his world may be coming for hers.
