Age: 69
female
Frances Louise McDormand (born Cynthia Ann Smith; June 23, 1957) is an American film, stage and television actress. McDormand began her career on stage and made her screen debut in the 1984 film Blood Simple, having since appeared in several theatrical and television roles. McDormand has been recognized for her performances in 'Mississippi Burning' (1988), 'Short Cuts' (1993), 'Fargo' (1996), 'Wonder Boys' (2000), 'Almost Famous' (2000), 'North Country' (2005), 'Moonrise Kingdom' (2012), 'Hail, Caesar!' (2016), 'Three Billboards Outside Ebbing, Missouri' (2017), 'Nomadland' (2020) and 'The Tragedy of Macbeth' (2021). Throughout her career, she has been nominated for eight Golden Globes, five Academy Awards, four BAFTA Awards, and three Emmy Awards. She is one of the few performers to achieve the "Triple Crown of Acting", winning an Academy Award, a Primetime Emmy Award, and a Tony Award. She won her first Academy Award for Best Actress in 1997 for her role as Marge Gunderson in 'Fargo'. She also won Best Supporting Actress from the Broadcast Film Critics Association, the Florida Film Critics Circle, and the Los Angeles Film Critics Association for her performance in 'Wonder Boys' (2000). McDormand returned to the stage in the David Lindsay-Abaire play Good People on Broadway from February 8, 2011 to April 24, 2011. In 2017, McDormand starred in 'Three Billboards Outside Ebbing, Missouri' which earned her a second Academy Award for Best Actress. McDormand has been married to filmmaker Joel Coen since 1984, they reside in New York City along with their adopted son Pedro.
In June 1975 the Taylor family shatters in a single night when two teenage siblings are found dead in their home. The only surviving sibling, Vincent, never shakes the whispers and accusations that he was the one who killed them. Decades later, the legend only grows as his career as a horror writer skyrockets. Ghostwriter Olivia Dumont has spent her entire professional life hiding the fact that she is the only child of Vincent Taylor. Now on the brink of financial ruin, she's offered a job to ghostwrite her father's last book. What she doesn't know, though, is that this project is another one of his lies—because it's not another horror novel he wants her to write.
