Died at 112
male
Burton Stephen "Burt" Lancaster (November 2, 1913 – October 20, 1994) was an American film actor noted for his athletic physique and distinctive smile (which he called "The Grin"). Later he took roles that went against his initial "tough guy" image. In the late 1950s Lancaster abandoned his "all-American" image and came to be regarded as one of the best actors of his generation. Lancaster was nominated four times for Academy Awards and won once — for his work in Elmer Gantry in 1960. He also won a Golden Globe for that performance and BAFTA Awards for The Birdman of Alcatraz (1962) and Atlantic City (1980). His production company, Hecht-Hill-Lancaster, was the most successful and innovative star-driven independent production company in Hollywood of the 1950s, making movies such as Marty (1955), Trapeze (1956), and Sweet Smell of Success (1957). Lancaster also directed two films: The Kentuckian (1955) and The Midnight Man (1974). In 1999, the American Film Institute named Lancaster nineteenth among the greatest male stars of all time. Description above from the Wikipedia article Burt Lancaster, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Burt Lancaster
Peter Keating
for Peter Keating in The Fountainhead (1957)
Suggested by leostales
Ayn Rand's The Fountainhead is the controversial epic about one man's unwavering individuality and the profound effect it has on both his friends and enemies. The novel was adapted in 1949 but fell short of its visionary source material. Constrained by a short runtime and 1940s social norms, many of the novel’s most compelling scenes and character arcs were drastically shortened or omitted entirely. While still a good film by conventional standards, it was nevertheless a disappointment to the author and many fans of the original novel. I believe The Fountainhead was adapted one decade too early. By the 1950s, Hollywood was beginning to challenge conventional filmmaking just as the novel’s protagonist challenged the norms of popular architecture. A decade where films could be pulpy yet deep, entertaining yet intellectually moving. In short, it was the perfect decade for a Fountainhead adaptation. This page envisions the film that could have been. Poster by DecoEchoes
