
Died at 119
male
Marion Mitchell Morrison (born Marion Robert Morrison) (May 26, 1907 – June 11, 1979), known professionally as John Wayne and nicknamed Duke, was an American actor and filmmaker. An Academy Award-winner for True Grit (1969), Wayne was among the top box office draws for three decades. Born in Winterset, Iowa, Wayne grew up in Southern California. He was president of Glendale High class of 1925. He found work at local film studios when he lost his football scholarship to the University of Southern California as a result of a bodysurfing accident. Initially working for the Fox Film Corporation, he appeared mostly in small bit parts. His first leading role came in Raoul Walsh's The Big Trail (1930), which led to leading roles in numerous B movies throughout the 1930s, many of them in the Western genre. Wayne's career took off in 1939, with John Ford's Stagecoach making him an instant star. He went on to star in 142 pictures. Biographer Ronald Davis said, "John Wayne personified for millions the nation's frontier heritage. Eighty-three of his movies were Westerns, and in them, he played cowboys, cavalrymen, and unconquerable loners extracted from the Republic's central creation myth." Wayne's other well-known Western roles include a cattleman driving his herd north on the Chisholm Trail in Red River (1948), a Civil War veteran whose young niece is abducted by a tribe of Comanches in The Searchers (1956), and a troubled rancher competing with a lawyer for a woman's hand in marriage in The Man Who Shot Liberty Valance (1962). He is also remembered for his roles in The Quiet Man (1952), Rio Bravo (1959), and The Longest Day (1962). In his final screen performance, he starred as an aging gunfighter battling cancer in The Shootist (1976). He appeared with many important Hollywood stars of his era, and his last public appearance was at the Academy Awards ceremony on April 9, 1979.

John Wayne

Mike Donnigan
for Mike Donnigan in The Fountainhead (1957)
Suggested by leostales

Ayn Rand's The Fountainhead is the controversial epic about one man's unwavering individuality and the profound effect it has on both his friends and enemies. The novel was adapted in 1949 but fell short of its visionary source material. Constrained by a short runtime and 1940s social norms, many of the novel’s most compelling scenes and character arcs were drastically shortened or omitted entirely. While still a good film by conventional standards, it was nevertheless a disappointment to the author and many fans of the original novel. I believe The Fountainhead was adapted one decade too early. By the 1950s, Hollywood was beginning to challenge conventional filmmaking just as the novel’s protagonist challenged the norms of popular architecture. A decade where films could be pulpy yet deep, entertaining yet intellectually moving. In short, it was the perfect decade for a Fountainhead adaptation. This page envisions the film that could have been. Poster by DecoEchoes
