Age: 38
female
Ana Celia de Armas Caso (Spanish pronunciation:[ˈana ˈselja ðe ˈaɾmas ˈkaso]; born 30 April 1988) is a Cuban, American and Spanish actress. She began her career in Cuba with a leading role in the romantic drama Una rosa de Francia (2006). At 18, she moved to Madrid, Spain, and starred in the popular drama El Internado (2007–2010). After moving to Los Angeles, de Armas had English-speaking roles in the psychological thriller Knock Knock (2015) and the comedy-crime film War Dogs (2016). De Armas rose to prominence for her roles as the holographic AI Joi in the science fiction film Blade Runner 2049 (2017) and nurse Marta Cabrera in the mystery film Knives Out (2019), receiving a Golden Globe Award nomination for Best Actress – Motion Picture Comedy or Musical. She then played Bond girl Paloma in the James Bond film No Time to Die (2021) and actress Marilyn Monroe in the biographical drama Blonde (2022), for which she became the first Cuban nominated for the Academy Award for Best Actress. She then led the action thriller Ballerina (2025), a spin-off instalment in the John Wick franchise. Description above from the Wikipedia article Ana de Armas, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Tansy Adams’ greatest love is her family’s bookstore, passed down from her late father. But when it comes to actual romance… Tansy can’t get past the first chapter. Tired of her stepfamily’s questions about her love life, Tansy invents Gemma, a fake girlfriend inspired by the stunning cover model on a bestselling book. They’ll never actually meet, so what’s the harm in a little fib? Yet when real-life Gemma crosses Tansy’s path, her white lie nearly implodes. Gemma van Dalen is a wild child, the outcast of her wealthy family, and now the latest heir to Van Dalen Publishing. But the title comes with one tiny condition: she must be married in order to inherit. When Gemma discovers a beautiful stranger has been pretending to date her for months, she decides to take the charade one step further—and announces their engagement. Gemma needs a wife to meet the terms of her grandfather’s will and Tansy needs money to save her struggling bookstore. A marriage could be mutually beneficial, if they can fool everyone into thinking it’s a love match. Unexpected sparks fly as Tansy and Gemma play the role of affectionate fiancées, and suddenly the line between convenient arrangement and real feelings begins to blur. But the scheming Van Dalen family won’t give up the company without a fight, and Gemma and Tansy’s newfound happiness might get caught in the fallout…
