Age: 48
male
Matthew Goode (born 3 April 1978) is an English actor. He made his screen debut in 2002 with ABC's TV film feature Confessions of an Ugly Stepsister. His breakthrough role was in the romantic comedy Chasing Liberty (2004), for which he received a nomination at Teen Choice Awards for Choice Breakout Movie Star – Male. He then appeared in a string of supporting roles in films like Woody Allen's Match Point (2005), the German-British romantic comedy Imagine Me and You (2006), and the period drama Copying Beethoven (2006). He won praise for his performance as Charles Ryder in Julian Jarrold's adaptation of Evelyn Waugh's Brideshead Revisited (2008), and as Ozymandias in the American neo-noir superhero film Watchmen (2009), based on the comics by Alan Moore and Dave Gibbons. He then starred in romantic comedy Leap Year (2010) and Australian drama Burning Man (2011), the latter earning him a nomination for Best Actor at the Film Critics Circle of Australia Awards. Other notable film roles include The Lookout (2007), A Single Man (2009), Cemetery Junction (2010), Stoker (2013), Belle (2013), The Imitation Game (2014) and Self/less (2015). As well as appearing in films, Goode has appeared in numerous television shows. His most notable television roles include Henry Talbot in the final season of historical drama Downton Abbey, and Finley "Finn" Polmar in the CBS legal drama The Good Wife. He also had a lead role in the critically acclaimed British mini-serial Dancing on the Edge, as music journalist Stanley Mitchell. In 2017, Goode portrayed Antony Armstrong-Jones, 1st Earl of Snowdon in the Netflix biographical drama series The Crown, for which he received a Primetime Emmy Award nomination for Outstanding Guest Actor in a Drama Series. As of 2018, he stars in Sky One's fantasy-romance series, A Discovery of Witches, as Professor Matthew Clairmont.
The world's population is soaring, creating overcrowded cities and an economic crisis. And in the UK, breaking point has arrived. A growing number of people can no longer afford to start families let, alone raise them. But for those desperate to experience parenthood, there is an alternative. For a monthly subscription fee, clients can create a virtual child from scratch who they can access via the metaverse and a VR headset. To launch this new initiative, the company behind Virtual Children has created a reality TV show. It will follow ten couples as they raise a Virtual Child from birth to the age of eighteen, but in a condensed nine-month time period. The prize: the right to keep their Virtual Child, or risk it all for the chance of a real baby . . .
