Age: 37
female
Lily Jane Collins (born 18 March 1989) is a British and American actress and model. Born in Guildford, Surrey and raised in Los Angeles, Collins began performing on screen at the age of two in the BBC sitcom Growing Pains. In the late 2000s, Collins began acting and modelling more regularly, and she had a career breakthrough with her performance in the sports-drama film The Blind Side, which was the third highest-grossing film of 2009. She went on to appear in leading roles across feature films such as the sci-fi action-horror Priest (2011), the psychological action-thriller Abduction (2011), the fantasy Mirror Mirror (2012), the urban fantasy The Mortal Instruments: City of Bones (2013), and the independent romantic comedies Stuck in Love (2012), The English Teacher (2013), and Love, Rosie (2014). Collins was critically acclaimed for her roles as Marla Mabrey in the comedy Rules Don't Apply (2016), which earned her a nomination for the Golden Globe Award for Best Actress – Motion Picture Musical or Comedy, and for her portrayal of a young adult with anorexia in the controversial Netflix drama To the Bone (2017). She has also achieved recognition for her work in biographical films: she starred as Liz Kendall in the Netflix drama Extremely Wicked, Shockingly Evil and Vile (2019), as J.R.R. Tolkien's wife Edith in Tolkien (2019), and as Rita Alexander in Mank (2020), the latter of which was a critical success, earning 10 Academy Award nominations. Collins played Fantine in the BBC miniseries adaptation of Les Misérables (2018–2019), and, since 2020, she has portrayed Emily Cooper in the Netflix series Emily in Paris. For the latter, she received a nomination for the Golden Globe Award for Best Actress – Television Series Musical or Comedy. She made her writing debut with Unfiltered: No Shame, No Regrets, Just Me (2017) in which she discussed her struggles with mental health, including an eating disorder she suffered as a teenager.
When Eliza Fontaine is rescued from the bottom of a hotel pool just a few weeks before her first novel is going to be published, her family assumes that it’s another failed suicide attempt. But Eliza swears she was pushed. The problem is she remembers little of that night, a result of the large quantity of alcohol she consumed and a worsening struggle with memory loss due to a brain tumor. Feeling ignored and vulnerable, she decides she must find the truth of what actually happened. As she searches for answers, something very peculiar begins to happen: The people closest to her start to confuse the events in her novel with those in her real life. The dividing line between fact and fiction seems to be dissolving, and even Eliza is becoming uncertain about where her protagonist’s story ends and hers begins. She glimpses a shadowy presence hovering nearby, a mirror image of herself…but is it all in her head or is there really someone following her, studying her, wishing to do her harm? Perhaps the answers to all her questions already exist in the pages of her novel, if only she could put the pieces together in the right way.
