
Age: 49
female
Samantha Jane Morton (born 1977) is an English actress. She is known for her work in independent films with dark and tragic themes, in particular period dramas. She has received numerous accolades, including the BAFTA Fellowship, a BAFTA Award, a Golden Globe Award, and nominations for two Academy Awards, a Primetime Emmy Award, and a Screen Actors Guild Award. Morton was a member of the Central Junior Television Workshop in her native Nottingham and began her career in British television in 1991. She appeared in the ITV series Band of Gold (1995–1996) and the BBC miniseries The History of Tom Jones: a Foundling (1997). Morton's early film roles include Emma (1996), Jane Eyre (1997), and Under the Skin (1997). She received two Academy Award nominations, one for Best Supporting Actress for Woody Allen's Sweet and Lowdown(1999) and the other for Best Actress for Jim Sheridan's In America (2003). Other notable film credits include Morvern Callar (2002), Minority Report (2002), The Libertine (2004), Control(2007), Elizabeth: The Golden Age (2007), Synecdoche, New York (2008), The Messenger (2009), John Carter (2012), Fantastic Beasts and Where to Find Them (2016), and The Whale (2022). For her portrayal of Myra Hindley in the Channel 4 and HBO film Longford (2006), she received a Primetime Emmy Award, BAFTA Award, and Golden Globe Award nominations. Morton made her directorial debut with the television film The Unloved (2009), which won the BAFTA Television Award for Best Single Drama. She has starred in various programmes, such as The Last Panthers (2015), Rillington Place (2016), Harlots (2017–2019), The Walking Dead (2019–2020), and The Serpent Queen (2022–2024). Description above from the Wikipedia article Samantha Morton, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Samantha Morton

Sister Mary-Scot Savage
for Sister Mary-Scot Savage in The Elementals
Suggested by horrorobsessed

On a split of land cut off by the Gulf, three Victorian summer houses stand against the encroaching sand. Two of the houses at Beldame are still used. The third house, filling with sand, is empty...except for the vicious horror which is shaping nightmares from the nothingness that hangs in the dank, fetid air. The McCrays and Savages, two fine Mobile families allied by marriage, have been coming to Beldame for years. This summer, with a terrible funeral behind them and a messy divorce coming up, even Luker McCray and little India down from New York are looking forward to being alone at Beldame. But they won't be alone. For something there, something they don't like to think about, is thinking about them...and about all the ways to make them die.

