
Age: 50
female
Sally Cecilia Hawkins (born 27 April 1976) is an English actress who began her career on stage and then moved into film. She has received several awards, including a Golden Globe Award, and nominations for two Academy Awards and two British Academy Film Awards. After graduating from the Royal Academy of Dramatic Art, she became a stage actress in productions such as Romeo and Juliet (playing Juliet), Much Ado About Nothing, and A Midsummer Night's Dream. Her first major role was in Mike Leigh's All or Nothing in 2002. She continued working with Leigh, appearing in a supporting role in Vera Drake (2004) and taking the lead in Happy-Go-Lucky (2008), for which she won several awards, including the Golden Globe Award for Best Actress in a Motion Picture – Musical or Comedy and the Silver Bear for Best Actress. Hawkins appeared in two Woody Allen films, Cassandra's Dream (2007) and Blue Jasmine (2013); for the latter, she received a nomination for the Academy Award for Best Supporting Actress. She went on to play lead roles in Made in Dagenham (2010), Paddington (2014), Maudie (2016), and Paddington 2 (2017), and appeared in Godzilla (2014), Godzilla: King of the Monsters (2019) and Wonka (2023). For starring Elisa Esposito, a mute cleaning woman in the fantasy film The Shape of Water (2017), she earned critical acclaim and was nominated for the Academy Award for Best Actress. She has also appeared in stage productions with the Royal Court Theatre in London, and in 2010 made her Broadway debut in Mrs. Warren's Profession. In 2012, she starred in Constellations at the Royal Court Theatre, which later moved to the Duke of York's Theatre in the West End. On television, she appeared in the BBC adaptations of Tipping the Velvet (2002) as Zena Blake and Fingersmith (2005) as Sue Trinder. She also appeared as Anne Elliot in Persuasion (2007), ITV's adaptation of Jane Austen's novel.

They knew they were changing history. They didn’t know they would change each other. Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship. Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed. But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.
