
Age: 42
female
Rebecca Louisa Ferguson Sundström (born 19 October 1983) is a Swedish actress. She is bilingual and has worked extensively in Sweden, Great Britain, and mainly in the United States. Ferguson began her television acting career in 1999 with the Swedish soap opera Nya Tider, and she made her motion picture debut in 2004 with the Swedish slasher film Drowning Ghost. She came to international prominence with her portrayal of Elizabeth Woodville in the British BBC drama The White Queen (2013), for which she was nominated for a Golden Globe for Best Actress in a Miniseries or Television Film. Ferguson starred as MI6 agent Ilsa Faust, opposite Tom Cruise, in three of the Mission: Impossible films: Rogue Nation (2015), Fallout (2018), and Dead Reckoning Part One (2023). She played Jenny Lind in the musical film The Greatest Showman (2017), starred in the horror films Life (2017) and Doctor Sleep(2019), and had supporting parts in the comedy-drama Florence Foster Jenkins (2016), the thriller The Girl on the Train (2016), and the science fiction films Dune(2021) and Dune: Part Two (2024). In 2023, she began starring in the Apple TV+science fiction series Silo. Description above from the Wikipedia article Rebecca Ferguson, licensed under CC-BY-SA, full list of contributors on Wikipedia.

They knew they were changing history. They didn’t know they would change each other. Oxford, 1920. For the first time in its 1000-year history, the world’s most famous university has admitted female students. Giddy with dreams of equality, education and emancipation, four young women move into neighbouring rooms on Corridor Eight. They have come here from all walks of life, and they are thrown into an unlikely, life-affirming friendship. Dora was never meant to go to university, but, after losing both her brother and her fiancé on the battlefield, has arrived in their place. Beatrice, politically-minded daughter of a famous suffragette, sees Oxford as a chance to make her own way – and her own friends – for the first time. Socialite Otto fills her room with extravagant luxuries but fears they won’t be enough to distract her from her memories of the war years. And quiet, clever, Marianne, the daughter of a village vicar, arrives bearing a secret she must hide from everyone – even The Eights – if she is to succeed. But Oxford’s dreaming spires cast a dark shadow: in 1920, misogyny is still rife, influenza is still a threat, and the ghosts of the Great War are still very real indeed. And as the group navigate this tumultuous moment in time, their friendship will become more important than ever.


