Age: 65
male
Aaron Benjamin Sorkin (born June 9, 1961) is an American screenwriter, playwright and film director. Born in New York City, he developed a passion for writing early on. As a writer for stage, television, and film, Sorkin is recognised for his trademark fast-paced dialogue and extended monologues, complemented by frequent use of the "walk and talk" storytelling technique. Sorkin has earned numerous accolades, including an Academy Award, a BAFTA Award, five Primetime Emmy Awards, and three Golden Globes. Sorkin rose to prominence as a writer-creator and showrunner of the television series Sports Night (1998–2000), The West Wing (1999–2006), Studio 60 on the Sunset Strip (2006–07), and The Newsroom (2012–14). He is also known for his work on Broadway, including the plays A Few Good Men (1989), The Farnsworth Invention (2007), To Kill a Mockingbird (2018), and the revival of Lerner and Loewe's musical Camelot (2023). He wrote the film screenplays for A Few Good Men (1992), The American President (1995), and several biopics, including Charlie Wilson's War (2007), Moneyball (2011), and Steve Jobs (2015). For writing The Social Network (2010), he won the Academy Award for Best Adapted Screenplay. He made his directorial film debut with Molly's Game (2017), followed by The Trial of the Chicago 7 (2020) and Being the Ricardos (2021). Description above from the Wikipedia article Aaron Sorkin, licensed under CC-BY-SA, full list of contributors on Wikipedia.
In their complaint, Universal Studios alleged that Nintendo's video game Donkey Kong was a trademark infringement of King Kong, the plot and characters of which Universal claimed as their own. Nintendo argued that Universal had themselves proven that King Kong's plot and characters were in the public domain in Universal City Studios, Inc. v. RKO General, Inc. Sweet ruled that Universal had acted in bad faith by threatening Nintendo's licensees and that it had no right over the name King Kong or the characters and story. He further held that there was no possibility for consumers to confuse Nintendo's game and characters with the King Kong films and their characters. Universal appealed the case, but the verdict was upheld. The case was a major victory for Nintendo, which was still a newcomer to the U.S. market. The case established Nintendo as a major player in the industry and arguably gave the company the confidence that it could compete with the giants of American media.
