Age: 53
male
David Jude Heyworth Law (born 29 December 1972) is an English actor. He began his career in British theatre before landing small roles in various television productions and feature films. Law gained international recognition for his role in Anthony Minghella's The Talented Mr. Ripley (1999), for which he won the BAFTA Award for Best Actor in a Supporting Role and was nominated for the Academy Award in the same category. Law found further critical and commercial success in Steven Spielberg's A.I. Artificial Intelligence (2001), Sam Mendes' Road to Perdition (2002), Minghella's Cold Mountain (2003), for which he earned Academy Award and BAFTA nominations, in addition to the drama Closer (2004) and the romantic comedy The Holiday (2006). His subsequent roles were as Dr. Watson in Sherlock Holmes (2009) and Sherlock Holmes: A Game of Shadows (2011), a young Albus Dumbledore in Fantastic Beasts: The Crimes of Grindelwald (2018) and Fantastic Beasts: The Secrets of Dumbledore (2022), and Yon-Rogg in Captain Marvel (2019); all of which rank among his highest-grossing releases. Other notable films include Contagion (2011), Hugo (2011), Side Effects (2013), The Grand Budapest Hotel (2014), and Spy (2015), as well as the television series The Young Pope (2016), The New Pope (2020), and Star Wars: Skeleton Crew (2024), earning a Children's and Family Emmy Award for Outstanding Lead Performer nomination for the latter. In addition to his film work, Law has performed in several West End and Broadway productions, including Les Parents terribles in 1994, Hamlet in 2010, and Anna Christie in 2011. These earned him nominations for two Tony Awards. He has also been awarded the Honorary César and was named a knight of the Order of Arts and Letters by the French government. Description above from the Wikipedia article Jude Law, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Jude Law
Arnold Greenberg
for Arnold Greenberg in The Earth Goes Ape
Suggested by alanstudios
In their complaint, Universal Studios alleged that Nintendo's video game Donkey Kong was a trademark infringement of King Kong, the plot and characters of which Universal claimed as their own. Nintendo argued that Universal had themselves proven that King Kong's plot and characters were in the public domain in Universal City Studios, Inc. v. RKO General, Inc. Sweet ruled that Universal had acted in bad faith by threatening Nintendo's licensees and that it had no right over the name King Kong or the characters and story. He further held that there was no possibility for consumers to confuse Nintendo's game and characters with the King Kong films and their characters. Universal appealed the case, but the verdict was upheld. The case was a major victory for Nintendo, which was still a newcomer to the U.S. market. The case established Nintendo as a major player in the industry and arguably gave the company the confidence that it could compete with the giants of American media.
