Age: 35
female
Emma Rose Roberts (born February 10, 1991) is an American actress, singer and producer. Known for her performances spanning multiple film and television genres, her work in the horror and thriller genres has established her as a scream queen. Roberts has received various accolades, including a Young Artist Award, an MTV Movie & TV Award, and a ShoWest Award. After making her acting debut in the crime film Blow (2001), Roberts gained recognition for her lead role as Addie Singer on the Nickelodeon television teen sitcom Unfabulous (2004–2007). She released her debut soundtrack album, Unfabulous and More, for the series in 2005. She went on to appear in numerous films including Aquamarine (2006), Nancy Drew (2007), Wild Child (2008), Hotel for Dogs (2009), Valentine's Day (2010), It's Kind of a Funny Story (2010), and The Art of Getting By (2011). Looking for more mature roles, Roberts had starring roles in the films Lymelife (2008), 4.3.2.1. (2010), Scream 4 (2011), Adult World (2013), We're the Millers (2013), and Gia Coppola's Palo Alto (2013). She has since appeared in The Blackcoat's Daughter (2015), Nerve (2016), Who We Are Now (2017), Paradise Hills (2019), Holidate (2020), and the Marvel superhero film Madame Web (2024). She gained further recognition for her starring roles in multiple seasons of the FX anthology horror series American Horror Story (2013–present) and for the lead role of Chanel Oberlin on the Fox comedy horror series Scream Queens (2015–2016). She is also the co-founder of the book club Belletrist. Description above from the Wikipedia article Emma Roberts, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Esme is born into a world of words. Motherless and irrepressibly curious, she spends her childhood in the ‘Scriptorium’, a garden shed in Oxford where her father and a team of dedicated lexicographers are collecting words for the very first Oxford English Dictionary. Esme’s place is beneath the sorting table, unseen and unheard. One day a slip of paper containing the word ‘bondmaid’ flutters to the floor. Esme rescues the slip and stashes it in an old wooden case that belongs to her friend, Lizzie, a young servant in the big house. Esme begins to collect other words from the Scriptorium that are misplaced, discarded or have been neglected by the dictionary men. They help her make sense of the world. Over time, Esme realises that some words are considered more important than others, and that words and meanings relating to women’s experiences often go unrecorded. While she dedicates her life to the Oxford English Dictionary, secretly, she begins to collect words for another dictionary: The Dictionary of Lost Words.
