Age: 57
male
Peter Hayden Dinklage (born June 11, 1969) is an American actor. Portraying Tyrion Lannister on the HBO television series Game of Thrones (2011–2019), Dinklage won the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series a record four times. He also received a Golden Globe Award in 2011 and a Screen Actors Guild Award in 2020 for the role. Born in the Jersey Shore region of New Jersey, Dinklage studied acting at Bennington College, performing in a number of amateur stage productions. He made his film debut in the black comedy film Living in Oblivion (1995), and had his breakthrough with a starring role in the 2003 comedy-drama The Station Agent. His other films include Elf (2003), Lassie and The Baxter (both in 2005), Find Me Guilty (2006), Penelope (2006), Death at a Funeral (2007), The Chronicles of Narnia: Prince Caspian (2008), Death at a Funeral (2010), X-Men: Days of Future Past (2014), Three Billboards Outside Ebbing, Missouri (2017), The Hunger Games: The Ballad of Songbirds & Snakes (2023), and Wicked (2024). In 2018, he appeared as Eitri in the Marvel film Avengers: Infinity War, and as Hervé Villechaize in the biopic film My Dinner with Hervé. He also provided voice-acting for the video game Destiny, and in 2023, he voiced Scourge in Transformers: Rise of the Beasts. On television, he also starred in the series Dexter: Resurrection in 2025. Dinklage has also performed in theater, with roles including the title character in Richard III (2003) at the Public Theatre, Rakitin in A Month in the Country (2015) at Classic Stage Company, and Cyrano de Bergerac in Cyrano at the Daryl Roth Theatre in 2019. Description above is from the Wikipedia article Peter Dinklage.
Peter Dinklage
Nurse Ingham
for Nurse Ingham in The Daughter of Time
Suggested by sepanta_kazemi
Alan Grant, a sharp but restless Scotland Yard inspector, ends up stuck in a hospital bed after an accident. Bored and frustrated, he fixes his attention on a centuries-old portrait of King Richard III. Something in the face bothers him. The official story paints Richard as a monster who murdered two young princes to seize power. Grant starts to doubt that version. From inside his room, he turns the past into a living case. He studies old reports, questions accepted truths, and pulls in help from a quick-thinking young researcher and a pair of nurses who become unexpected allies. As the evidence grows, Grant is drawn deeper into a political puzzle that stretches across five hundred years. The more he learns, the more the lines blur between fact and legend, guilt and propaganda. What begins as a distraction becomes an investigation that challenges the foundations of a national myth. The film follows Grant’s search for the truth as he moves closer to an answer others stopped asking about long ago.
