
Age: 52
male
Stephen Graham (born 3 August 1973) is an English actor and film producer. He began his career in 1990, with notable early roles in Snatch (2000) and Gangs of New York (2002), before his breakthrough as Andrew "Combo" Gascoigne in This Is England (2006). On television, Graham reprised his role as Combo in This Is England '86, This Is England '88, and This Is England '90. He also starred in the drama Little Boy Blue, the fifth series of Line of Duty, the HBO series Boardwalk Empire, the BBC drama Time, and the sixth series of Peaky Blinders. He created, co-wrote, and executive-produced the miniseries Adolescence (2025) on Netflix, in which he also appeared, and won all three nominations at the 77th Primetime Emmy Awards for it. Graham's film appearances include Tinker Tailor Soldier Spy (2011), Pirates of the Caribbean: On Stranger Tides (2011) and Pirates of the Caribbean: Dead Men Tell No Tales (2017), The Irishman (2019), Boiling Point (2021) and its sequel series of the same name (2023), and Venom: Let There Be Carnage (2021) and its sequel Venom: The Last Dance (2024). He has received nominations for seven British Academy Television Awards and one British Academy Film Award. He was appointed OBE in 2023. Description above from the Wikipedia article Stephen Graham, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Stephen Graham

Henry VII
for Henry VII in The Daughter of Time
Suggested by sepanta_kazemi

Alan Grant, a sharp but restless Scotland Yard inspector, ends up stuck in a hospital bed after an accident. Bored and frustrated, he fixes his attention on a centuries-old portrait of King Richard III. Something in the face bothers him. The official story paints Richard as a monster who murdered two young princes to seize power. Grant starts to doubt that version. From inside his room, he turns the past into a living case. He studies old reports, questions accepted truths, and pulls in help from a quick-thinking young researcher and a pair of nurses who become unexpected allies. As the evidence grows, Grant is drawn deeper into a political puzzle that stretches across five hundred years. The more he learns, the more the lines blur between fact and legend, guilt and propaganda. What begins as a distraction becomes an investigation that challenges the foundations of a national myth. The film follows Grant’s search for the truth as he moves closer to an answer others stopped asking about long ago.

