Age: 31
female
Zoey Francis Chaya Thompson Deutch (born November 10, 1994) is an American actress. She is daughter of director Howard Deutch and actress-director Lea Thompson. She gained recognition for her roles in the film Everybody Wants Some!!, the Netflix comedy series The Politician, and the film Set It Up. Deutch began her career with roles on the Disney Channel comedy series The Suite Life on Deck (2010–2011) and The CW crime drama series Ringer (2011–2012). Following her credited film debut in the gothic romance film Beautiful Creatures (2013), she starred in the fantasy horror film Vampire Academy (2014), for which she received a Teen Choice Award nomination. Deutch achieved critical praise for her roles in numerous films, including Richard Linklater's Everybody Wants Some!! (2016), Why Him? (2016), Before I Fall (2017), Flower (2017), and Rebel in the Rye (2017), for which she has received awards from the Dallas International Film Festival and the SCAD Savannah Film Festival. In 2017, her mother directed her and her sister Madelyn in the comedy-drama film The Year of Spectacular Men, which Deutch also co-produced. She went on to star in the critically acclaimed romantic comedy Set It Up (2018), the zombie comedy Zombieland: Double Tap (2019), and the comedy-drama Buffaloed (2019), which she also produced.
Zoey Deutch
Karen Page
for Karen Page in The Daredevil: Man Without Fear (MCU Reboot)
Suggested by kaueoliveira
"The Daredevil: Man Without Fear" is a neo-noir crime thriller that leans heavily into the psychological toll of vigilantism. Matt Murdock is a blind defense attorney in Hell's Kitchen who possesses hypersensitive senses. He is not yet a polished superhero; he is a bruised brawler wearing a makeshift black suit, fueled by Catholic guilt and an addiction to violence. The story focuses on a turf war. The old-school mobs are being swallowed by a mysterious corporate entity led by the reclusive philanthropist Wilson Fisk. Fisk is gentrifying Hell's Kitchen, "saving" the city by destroying its soul. When Matt discovers that his own clients—tenants being evicted and framed—are victims of Fisk's machinations, he takes the fight from the courtroom to the rooftops. The film deconstructs Matt's duality: the lawyer who believes in the system and the devil who believes the system is broken. It culminates in a brutal, visceral confrontation not in a suit of armor, but in a bloody knuckle-brawl in a rain-slicked alley, fighting for the heart of his neighborhood.
