
Age: 46
male
Jason Schwartzman (born June 26, 1980) is an American actor and musician. Schwartzman made his film debut in Wes Anderson's 1998 film Rushmore and has since appeared in six other Anderson films: The Darjeeling Limited (2007), Fantastic Mr. Fox (2009), Moonrise Kingdom (2012), The Grand Budapest Hotel (2014), The French Dispatch (2021), and Asteroid City (2023). He also has co-writing credit for The Darjeeling Limited. He is known for his roles as Gideon Graves in Scott Pilgrim vs. the World (2010). Scott Pilgrim Takes Off (2023), and the Spot, whom he voices in Spider-Man: Across the Spider-Verse (2023) and the upcoming Spider-Man: Beyond the Spider-Verse (2027). Schwartzman's other films include Spun (2003), I Heart Huckabees (2004), Marie Antoinette (2006), Funny People (2009), Saving Mr. Banks (2013), Big Eyes (2014), Klaus (2019), The Hunger Games: The Ballad of Songbirds & Snakes (2023), and Queer (2024). He starred in the television series Bored to Death (2009–2011). He appeared in the fourth season of the FX anthology series Fargo (2020). He was an executive producer on the Amazon Prime show Mozart in the Jungle (2014–18), a series in which he also acted. Schwartzman has released three albums through his solo musical project, Coconut Records. He was also the drummer in the rock band Phantom Planet. He is a member of the Coppola family. Description above from the Wikipedia article Jason Schwartzman, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Mrs. Savage has been left ten million dollars by her husband and wants to make the best use of it, in spite of the efforts of her grown-up stepchildren to get their hands on it. These latter, knowing that the widow's wealth is now in negotiable securities, and seeing they cannot get hold of it, commit her to a "sanatorium" hoping to "bring her to her senses." But Mrs. Savage is determined to establish a fund to help others realize their hopes and dreams. In the sanatorium she meets various social misfits, men and women who just cannot adjust themselves to life, people who need the help Mrs. Savage can provide. In getting to know them, she realizes that she will find happiness with them and plans to spend the rest of her life as one of them. But when the doctor tells her there is no reason why she should remain, she hesitates to go out into a hard world where people seem ready to do anything for money. The self-seeking stepchildren are driven to distraction by their vain efforts to browbeat Mrs. Savage, but she preserves her equanimity and leads them on a merry chase.


