Age: 45
male
Benjamin John Whishaw (born 14 October 1980) is an English actor. He has received various accolades, including three British Academy Television Awards, two Emmy Awards, and a Golden Globe. Beginning his career in the 2000s, he played the title role in a 2004 production of the play Hamlet. Television roles followed this in Nathan Barley (2005), Criminal Justice (2008) and The Hour (2011–12); and film roles in Perfume: The Story of a Murderer (2006), I'm Not There (2007), Brideshead Revisited (2008), and Bright Star (2009). In 2012, Whishaw played the title role in a BBC Two adaptation of Richard II, for which he won the British Academy Television Award for Best Actor. The same year, he appeared as Q in the James Bond film Skyfall (2012), going on to reprise the role in Spectre (2015) and No Time to Die (2021). He has voiced Paddington Bear in several projects since Paddington (2014). His other film roles in the 2010s include Cloud Atlas (2012), The Lobster (2015), Suffragette (2015), The Danish Girl (2015), and Mary Poppins Returns (2018). Whishaw had a leading role in London Spy (2015). For his portrayal of Norman Scott in the miniseries A Very English Scandal (2018), he won a BAFTA, a Golden Globe Award and a Primetime Emmy Award for Outstanding Supporting Actor. In 2020, he had a leading role in the fourth season of the black comedy drama Fargo. He has since starred in the BBC medical drama series This Is Going to Hurt (2022), the short film Good Boy (2023), and the Netflix spy thriller series Black Doves (2024). Description above from the Wikipedia article Ben Whishaw, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Ben Whishaw
Sir Francis Walsingham
for Sir Francis Walsingham in The Crown of Salt & Moonlight
Suggested by nickienicks
The Crown of Salt & Moonlight reimagines the rivalry between Mary, Queen of Scots and Queen Elizabeth I as a mythic, dreamlike tragedy where political power and spiritual destiny blur into one haunting bond. Told through an ethereal, gothic lens, the film follows two cousins who feel less like separate rulers and more like fractured reflections of the same soul - Mary, the wild, intuitive queen shaped by stormy landscapes and inherited prophecy, and Elizabeth, the controlled, luminous monarch who rules through isolation and restraint. As their political maneuvers intensify across Scotland and England, their connection becomes increasingly supernatural, as if each dream, decision, and betrayal echoes across an invisible thread tying them together. In the end, their conflict is revealed not as a simple struggle for the throne, but as a cosmic imbalance of feminine power—where love, envy, and fate intertwine until history itself demands sacrifice.
