Age: 33
female
Jessica Green, was born on February 11, 1993, in Tasmania, Australia. With her striking blue eyes and a height of 5’9" (1.75 m), she has made a significant impact in the entertainment industry. In her early career, she appeared in minor roles in films such as Peter Pan (Universal Pictures) and Aqua Marine (Fox). However, her breakthrough came in 2013 when she secured the lead role of “KIKI” in the Jonathon M. Shiff production LIGHTNING POINT (also known as Alien Surf Girls). This role required her to surf and ride horses, showcasing her versatility. Jessica continued to make her mark in the industry with film appearances. Notably, she played ‘Rebecca’ in the Australian action-thriller RED BILLABONG (Sparke Films) in 2016. Her talent and dedication also led her to a role in PIRATES OF THE CARIBBEAN: Dead Men Tell No Tales (Disney). In 2017, Jessica portrayed Cleopatra in ROMAN EMPIRE (Netflix) and Lexx in ASH VS EVIL DEAD (Starz), further establishing her presence on the international stage. However, her most iconic role to date is that of ‘TALON’ in THE OUTPOST, a fantasy adventure series that aired on The CW Network and NBCU SYFY channels. Jessica performed her own stunts, including wire work, demonstrating her mixed martial arts, horse riding, and weapon skills.
Jessica Green
Catherine Sterling
for Catherine Sterling in The Crimson Rose — The Reformation
Suggested by mr95
Catherine attempts reparations for the damage she has caused, starting with James Ashford, whose life and future she destroyed in season three. But reparations, the season discovers, are not the same as forgiveness, and sometimes the damage is permanent. She uses her political power to restore James's reputation but discovers that shame, once inflicted, does not simply lift because the perpetrator has decided to be good. Marcus, initially hopeful that Catherine's change of heart means they might have a future together, discovers that the woman who killed his love for cruelty is not the same woman who chooses goodness — she is diminished, haunted, and no longer the formidable person he fell in love with. As Catherine moves into her 40s, the show shifts setting to the countryside, where Catherine has begun a quiet, almost monastic life of genuine good works without the political calculation. She discovers that Henry Sheffield has died and his political faction is crumbling. The conspiracy she once served and then betrayed is dissolving without her intervention. The season ends with Catherine finally, exhaustedly at peace with the understanding that power is not worth having — and having had it, she cannot go back.
