Age: 40
female
Amanda Michelle Seyfried (/ˈsaɪfrɛd/ SY-fred; born December 3, 1985) is an American actress. She began acting at 15, with recurring roles as Lucy Montgomery in the CBS soap opera As the World Turns (1999–2001) and Joni Stafford in the ABC soap opera All My Children (2003). She came to prominence for her feature film debut in the teen comedy Mean Girls (2004) and her roles as Lilly Kane in the UPN mystery drama series Veronica Mars (2004–2006) and Sarah Henrickson in the HBO drama series Big Love (2006–2011). Seyfried has starred in many films, including Mamma Mia! (2008) and its sequel Mamma Mia! Here We Go Again (2018), Jennifer's Body (2009), Dear John (2010), Letters to Juliet (2010), Red Riding Hood (2011), In Time (2011), Les Misérables (2012), A Million Ways to Die in the West (2014), Ted 2 (2015), and First Reformed (2017). Seyfried received critical acclaim and nominations for the Academy Award and Golden Globe Award for Best Supporting Actress for portraying Marion Davies in David Fincher's biopic Mank (2020). For her starring role as Elizabeth Holmes in the Hulu miniseries The Dropout (2022), she won the Golden Globe Award and Primetime Emmy Award for Outstanding Lead Actress. In 2022, Time named her one of the 100 most influential people in the world. Description above from the Wikipedia Amanda Seyfried, article licensed under CC-BY-SA, full list of contributors on Wikipedia.
Lily—a bored, beautiful twenty-something—wakes up on a remote desert compound, alongside nineteen other contestants competing on a massively popular reality show. To win, she must outlast her housemates to stay in the Compound the longest, while competing in challenges for luxury rewards like champagne and lipstick, plus communal necessities to outfit their new home, like food, appliances, and a front door. Cameras are catching all her angles, good and bad, but Lily has no desire to leave: why would she, when the world outside is falling apart? As the competition intensifies, intimacy between the players deepens, and it becomes increasingly difficult to distinguish between desire and desperation. When the unseen producers raise the stakes, forcing contestants into upsetting, even dangerous situations, the line between playing the game and surviving it begins to blur. If Lily makes it to the end, she’ll receive prizes beyond her wildest dreams—but what will she have to do to win? Addictive and prescient, The Compound is an explosive debut from a major new voice in fiction and will linger in your mind long after the game ends.
