
Age: 23
female
Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014–2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016–2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix. In the drama film The Fallout, Ortega received praise for her performance as a traumatised high school student (2021). She gained wide recognition for portraying Wednesday Addams in the Netflix horror-comedy series Wednesday (2022–present), for which she received nominations at the Golden Globe, Primetime Emmy, and Screen Actors Guild Awards. She also starred in the slasher films Scream (2022), X (2022), Scream VI (2023), and the fantasy film Beetlejuice Beetlejuice (2024). Media publications have dubbed Ortega "Gen Z's scream queen." She was featured on The Hollywood Reporter's Power 100 list in 2023 and Forbes's 30 Under 30 list in 2024. Ortega has also been noted for her fashion and for supporting various charitable causes. Description above from the Wikipedia article Jenna Ortega, licensed under CC-BY-SA, full list of contributors on Wikipedia.

The Cherry Orchard is the last play by the Russian playwright Anton Chekhov. Chekhov described the play as a comedy, with some elements of farce, though Stanislavski treated it as a tragedy. The play revolves around an aristocratic Russian landowner who returns to her family estate, which includes a large and well-known cherry orchard; she returns just before the estate is auctioned to pay the mortgage. Unresponsive to offers to save the estate, she allows its sale to the son of a former serf, and the family departs to the sound of the cherry orchard being cut down. The story presents themes of cultural futility – the attempts of the aristocracy to maintain its status, and the attempts of the bourgeoisie to find meaning in its newfound materialism. The play dramatizes the socioeconomic forces in Russia at the turn of the 20th century; these forces include the rise of the middle class after the abolition of serfdom in the mid-19th century, in addition to the decline in power of the aristocracy.






