
Age: 54
female
Carla Gugino (/ɡʊˈdʒiːnoʊ/ guu-JEE-noh; born August 29, 1971) is an American actress. After early roles in the films Troop Beverly Hills (1989), This Boy's Life (1993), Son in Law (1993), and Snake Eyes (1998), Gugino received wider recognition for her starring roles in the Spy Kidstrilogy (2001–2003), Sin City (2005), Night at the Museum (2006), American Gangster (2007), Righteous Kill (2008), Race to Witch Mountain (2009), Sally Jupiter in Watchmen (2009), Sucker Punch (2011), Mr. Popper's Penguins (2011), San Andreas (2015), Gerald's Game (2017), Gunpowder Milkshake (2021), and Lisa Frankenstein (2024). Gugino also starred in the crime drama series Karen Sisco (2003), the science fiction series Threshold (2005–2006), the crime drama series Jett (2019), and the supernatural horror miniseries The Haunting of Hill House (2018), The Haunting of Bly Manor (2020), and The Fall of the House of Usher (2023). Description above from the Wikipedia article Carla Gugino, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Dev Deshpande has always believed in fairy tales. So it’s no wonder then that he’s spent his career crafting them on the long-running reality dating show Ever After. As the most successful producer in the franchise’s history, Dev always scripts the perfect love story for his contestants, even as his own love life crashes and burns. But then the show casts disgraced tech wunderkind Charlie Winshaw as its star. Charlie is far from the romantic Prince Charming Ever After expects. He doesn’t believe in true love, and only agreed to the show as a last-ditch effort to rehabilitate his image. In front of the cameras, he’s a stiff, anxious mess with no idea how to date twenty women on national television. Behind the scenes, he’s cold, awkward, and emotionally closed-off. As Dev fights to get Charlie to connect with the contestants on a whirlwind, worldwide tour, they begin to open up to each other, and Charlie realizes he has better chemistry with Dev than with any of his female co-stars. But even reality TV has a script, and in order to find to happily ever after, they’ll have to reconsider whose love story gets told.

