
Age: 40
female
Anna Cooke Kendrick (born August 9, 1985) is an American actress. Known for playing upbeat and endearing characters in comedies and musicals, her accolades include nominations for an Academy Award, a Primetime Emmy Award, and a Tony Award. Kendrick's first starring role was in the 1998 Broadway musical High Society, for which she earned a Tony Award nomination for Best Featured Actress in a Musical. She made her film debut in the musical comedy Camp (2003) and had a supporting role in The Twilight Saga (2008–2011). She achieved wider recognition for her role in the comedy-drama film Up in the Air (2009), which earned her an Academy Award nomination for Best Supporting Actress, as well as for her starring role in the Pitch Perfect film series (2012–2017). She starred in the comedies Scott Pilgrim vs. the World (2010) and 50/50 (2011), the crime drama End of Watch (2012), the musical Into the Woods (2014), the thrillers The Accountant (2016) and A Simple Favor (2018), and the fantasy comedy Noelle (2019). She has voiced the lead role in the animated musicals of the Trolls film franchise since 2016. She starred in the short-form comedy series Dummy (2020), for which she received a nomination for a Primetime Emmy Award for Outstanding Actress. She made her directorial debut with the self-starring thriller Woman of the Hour (2023). Kendrick sang on soundtracks for some of her films, including the single "Cups" in 2012, and at events such as the 2013 Kennedy Centre Honours and the 2015 Academy Awards. Her memoir, Scrappy Little Nobody, was published in 2016. Description above from the Wikipedia article Anna Kendrick, licensed under CC-BY-SA, full list of contributors on Wikipedia.

In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment… After Nessa James’s husband dies and her twin daughters leave for college, she’s left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn’t take long for Nessa to realize that the voices calling out to her belong to the dead—a gift she’s inherited from her grandmother, which comes with special responsibilities. On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn’t left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett’s life is far from over—in fact, she’s undergone a stunning and very welcome metamorphosis. Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw—until she realizes she has the ability to channel them, and finally comes into her power. Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative.

