Age: 55
male
Taye Diggs (born Scott Leo Diggs, Taye comes from the playful pronunciation of Scotty as "Scottay") is an American theatre, film and television actor. He is known for his roles in the Broadway musicals Rent and Hedwig and the Angry Inch; the TV series Private Practice (2007-2013), Murder in the First (2014-2016), and All American (2018-2024); and the films How Stella Got Her Groove Back (1998), The Wood, The Best Man (both 1999), Brown Sugar, Chicago (both 2002), Malibu's Most Wanted, Basic (both 2003), The Best Man (1999) and its sequel, The Best Man Holiday (2013), and Baggage Claim (2013). He had a recurring role as Jackson Duper on Ally McBeal, Dean Levine-Wilkins on The Good Wife, Mike Boyce on Rosewood starring real life friend Morris Chestnut, and Councilman Angelo DuBois on Empire. He starred in the lead role on the series Kevin Hill, and as Detective Brett Hopper on Day Break.
In the Long Island oceanfront community of Mattauk, three different women discover that midlife changes bring a whole new type of empowerment… After Nessa James’s husband dies and her twin daughters leave for college, she’s left all alone in a trim white house not far from the ocean. In the quiet of her late forties, the former nurse begins to hear voices. It doesn’t take long for Nessa to realize that the voices calling out to her belong to the dead—a gift she’s inherited from her grandmother, which comes with special responsibilities. On the cusp of 50, suave advertising director Harriett Osborne has just witnessed the implosion of her lucrative career and her marriage. She hasn’t left her house in months, and from the outside, it appears as if she and her garden have both gone to seed. But Harriett’s life is far from over—in fact, she’s undergone a stunning and very welcome metamorphosis. Ambitious former executive Jo Levison has spent thirty long years at war with her body. The free-floating rage and hot flashes that arrive with the beginning of menopause feel like the very last straw—until she realizes she has the ability to channel them, and finally comes into her power. Guided by voices only Nessa can hear, the trio of women discover a teenage girl whose body was abandoned beside a remote beach. The police have written the victim off as a drug-addicted sex worker, but the women refuse to buy into the official narrative.
