Age: 52
female
Neve Adrianne Campbell (born October 3, 1973) is a Canadian actress. After working in Canadian and American television, Campbell emerged as a scream queen for her starring roles in horror and thriller films. She has also appeared in blockbusters and independent features. Following a series of minor credits, Campbell had a starring role in the drama series Catwalk (1992–1993) and the television film The Canterville Ghost (1996). She subsequently relocated to the United States to star as Julia Salinger in the Fox teen drama series Party of Five (1994–2000), which became her breakthrough role. She rose to international prominence for her leading role as Sidney Prescott in Wes Craven's slasher film Scream (1996), which spawned the Scream franchise, in which she reprised her role in each film except the sixth. She also headlined the horror film The Craft (1996), the thriller film Wild Things (1998), and the drama film Panic (2000). Campbell starred in, produced, and wrote the story for Robert Altman's drama film The Company (2003). After a hiatus, she returned to television with a recurring role on the drama series Medium (2007) and starring roles on the action series The Philanthropist (2009) and the miniseries Titanic: Blood and Steel (2012). She appeared in the action film Skyscraper (2018). The drama film Clouds (2020), and had starring roles on the political thriller series House of Cards (2016–2017) and the crime drama series The Lincoln Lawyer (2022–present).
Eli Francis is stuck. Stuck in an assistant position at the online magazine Vent when he should be a writer. Stuck with a boss who dangles a promotion but would rather he just fetch the coffee. Stuck working alongside the ex who has had no trouble moving up at work…or moving on. When Eli’s roommates push him to date so he can get over his ex once and for all, they set him up with Peter Park. Tall, handsome, and unbelievably awkward. The date is a complete disaster, and further proof to Eli that love isn’t for him. But when his boss overhears Eli recounting the catastrophic night, he suggests teaching Peter to be a better boyfriend through a series of simulated dates so he can write an article about it. But Eli has other ideas…Eli plays along, pretending to write the article, while secretly interviewing Peter about growing up queer in the South and coming-of-age dating wise in adulthood. Eli hopes writing this sort of piece will finally get him the promotion he deserves. And in exchange, he will teach Peter how to be a better boyfriend. But the more time Eli spends with Peter, the closer they become, and the lines between what’s real and what’s fake begin to blur. Before long Eli is forced to face his greatest fears to become the writer he wants to be and secure the love he’s always needed.
