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Beth Mickle is a production designer. Raised in Douglassville, Pennsylvania, she began her creative journey making short films with her brother, director Jim Mickle. She later moved to New York to study at Columbia University, where she continued collaborating on Jim’s NYU projects. Mickle gained early recognition through her collaboration with directors Ryan Fleck and Anna Boden on Half Nelson, which earned Ryan Gosling an Academy Award nomination for Best Actor. In 2009, she teamed up with director Nicolas Winding Refn for Drive, earning an Art Directors Guild nomination for Excellence in Production Design. Their partnership continued with Only God Forgives, which premiered at the Cannes Film Festival in 2013. She reunited with Gosling on his directorial debut, Lost River, also a Cannes selection. She has since brought her design expertise to high-profile films, including Focus, 2 Guns, and Arbitrage. On television, she worked on the first season of HBO’s The Deuce, created by David Simon and George Pelecanos. Her accolades include a BAFTA nomination for An Englishman in New York, recognition in Glamour magazine’s “Under 35” women in film to watch, and inclusion in Variety’s Below-the-Line Impact Report in 2013. With a strong international portfolio, Mickle has worked on locations across Argentina, Russia, Thailand, the Dominican Republic, and Europe. She resides in Hudson, New York, with her partner, fellow production designer Russell Barnes, and continues collaborating creatively with her brother. Jasan Pagni represents Mickle at WME.
Beth Mickle
Production Designer
for Production Designer in The Brave And The Bold
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Batman discovers he has a son, Damian Wayne, with Talia al Ghul, who was raised by the League of Assassins. The film sees Damian, trained as a killer, arriving in Gotham and struggling to connect with his father due to their clashing personalities and values. The plot thickens when Deathstroke, seeking revenge against Ra's al Ghul, attacks the League and Talia sends Damian to Batman. Damian's recklessness and willingness to kill lead to conflict with Batman and the Bat-family, but they eventually unite to fight Deathstroke and his Man-Bat commandos. The movie culminates in a battle where Deathstroke kills Talia, and Batman must use the Lazarus Pit to save her. Batman learns about Damian, his son with Talia al Ghul, who was raised by the League of Assassins under the tutelage of Ra's al Ghul. Damian, accustomed to a life of violence and assassination, clashes with Batman's more ethical approach to crime-fighting. Damian, accustomed to a life of violence and assassination, clashes with Batman's more ethical approach to crime-fighting Damian's recklessness and desire to kill cause friction within the Bat-family, but they eventually unite to face Deathstroke's threat Damian's recklessness and desire to kill cause friction within the Bat-family, but they eventually unite to face Deathstroke's threat. During the final confrontation, Talia is killed by Deathstroke, leading to a desperate attempt by Batman to save her using the Lazarus Pit.
