Age: 37
male
Rupert Alexander Lloyd Grint (born August 24, 1988) is an English actor. Grint rose to fame for his role as Ron Weasley in the Harry Potter film series. He was cast as Weasley at age eleven, having previously acted only in school plays and his local theatre group. Since then, he continued his work on film, television, and theatre. Beginning in 2002, he began to work outside of the Harry Potter franchise, with a co-leading role in Thunderpants. He has had starring roles in Driving Lessons, a dramedy released in 2006, and Cherrybomb, a limited-release drama film in 2010. He co-starred with Bill Nighy and Emily Blunt in the comedy Wild Target. His first film project after the Harry Potter series was a supporting role in the 2012 anti-war film Into the White. In 2013, his film CBGB was released, and he was cast in CBS's new show Super Clyde. He made his stage debut in Jez Butterworth's Mojo in October 2013 at the Harold Pinter Theatre in London. In 2014, he voiced the character of Josh in Postman Pat: The Movie; and from 2017 to 2018, he executive-produced and starred in the television series Snatch, based on the film of the same name. Since 2019, he stars in the Apple TV+ psychological horror series Servant.
In a slick, neon-drenched town cloaked in an atmospheric, cold sludge aesthetic, toxicity isn't just present—it's celebrated. Leading the quiet resistance is Bucky, a fierce, uncompromising punk-rock feminist protester who refuses to stay silent. But when a ruthless crowd of local men brutally beats Bucky and leaves him in a coma just for holding a sign, the town's fragile peace completely shatters. Standing over Bucky's hospital bed is a tactical mastermind (played by Jenna Ortega), offering condolences for the horrific price he paid for his activism. But with broken bones and rock-and-roll defiance, Bucky delivers a brutal manifesto: he doesn't want pity; he wants accountability. His sacrifice becomes the ultimate catalyst. The apology transforms into pure gasoline, igniting The Blood Orchid—not a disorganized, frantic group of friends looking for messy revenge, but a highly functioning, omnipresent shadow syndicate of women who have endured systemic relationship trauma and are ready to weaponize it. Operating like a seamless, clinical machine, the multi-woman society maps out a calculated hit list targeting the town’s most unrepentant "pieces of shit," including the smug country-club golden boy Kenny and the vile Old Man Harold. As the syndicate executes its precise, high-volume vigilante justice, they must simultaneously navigate the town's chaotic collateral damage—chiefly Goofy Gary, a hyper-expressive, loud, and socially oblivious nuisance. Gary isn't a bad guy; he genuinely believes in "equal rights and equal vibes," wanting to hang out with the ladies the exact same way he would with the guys.
