Age: 60
male
Kyle Martin Chandler (born September 17, 1965) is an American actor. He received critical acclaim for his performance as Eric Taylor in the NBC series Friday Night Lights(2006–2011), winning the Primetime Emmy Award for Outstanding Lead Actor in a Drama Series in 2011. Making his screen acting debut in the 1988 television film Quiet Victory: The Charlie Wedemeyer Story, Chandler's first regular television role was in the ABC drama Homefront (1991–1993). This was followed by the lead role of Gary Hobson in the series Early Edition (1996–2000). His well-received guest appearance on the medical drama Grey's Anatomy (2006–2007) earned Chandler his first Primetime Emmy Award nomination. Chandler's film work has included notable supporting roles in King Kong (2005), The Day the Earth Stood Still (2008), Super 8 (2011), Argo, Zero Dark Thirty (both 2012), The Wolf of Wall Street (2013), Carol (2015), Manchester by the Sea (2016), Game Night and First Man (both 2018), Godzilla: King of the Monsters (2019), Godzilla vs. Kong (2021). Chandler has also starred in the Netflix thriller series Bloodline (2015–2017), for which he received further Primetime Emmy Award nominations.
Kyle Chandler
Robert Anderson
for Robert Anderson in The Blonde Angel
Suggested by madimura20
When a famed socialite daughter of a wealthy family is abducted, her family and the media are scrambling to locate her. While in captivity, she realizes that many other girls are missing as the same time, but the media and public never called for their rescue- and she has to rescue them and herself while seeking justice for the other victims and finding the dark truth. This film is a satire of rescue-the-girl action thrillers such as Taken, Man on Fire, The Call, or any action thriller with Liam Neeson or Nicolas Cage. Much like in real-life high-profile abduction cases, these movies often fall with the trope of missing white woman syndrome- the vast majority of these movies have victims that are white, blonde, wealthy, and innocent- while victims who are people of color and/or poor are often left in the shadows. This film will instead be a psychological neo-noir thriller focusing on the victim's point of view rather than that of the rescuer, in addition to being filmed in black-and-white a la Sin City.
