
Age: 23
female
Jenna Marie Ortega (born September 27, 2002) is an American actress. She began her career as a child and received recognition for her role as a younger version of Jane in The CW comedy-drama series Jane the Virgin (2014–2019). She then won an Imagen Award for her leading role as Harley Diaz in the Disney Channel series Stuck in the Middle (2016–2018). She played Ellie Alves in the thriller series You (2019) and starred in the family film Yes Day (2021), both for Netflix. In the drama film The Fallout, Ortega received praise for her performance as a traumatised high school student (2021). She gained wide recognition for portraying Wednesday Addams in the Netflix horror-comedy series Wednesday (2022–present), for which she received nominations at the Golden Globe, Primetime Emmy, and Screen Actors Guild Awards. She also starred in the slasher films Scream (2022), X (2022), Scream VI (2023), and the fantasy film Beetlejuice Beetlejuice (2024). Media publications have dubbed Ortega "Gen Z's scream queen." She was featured on The Hollywood Reporter's Power 100 list in 2023 and Forbes's 30 Under 30 list in 2024. Ortega has also been noted for her fashion and for supporting various charitable causes. Description above from the Wikipedia article Jenna Ortega, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Jenna Ortega

Anna Rodriguez
for Anna Rodriguez in The Blonde Angel
Suggested by madimura20

When a famed socialite daughter of a wealthy family is abducted, her family and the media are scrambling to locate her. While in captivity, she realizes that many other girls are missing as the same time, but the media and public never called for their rescue- and she has to rescue them and herself while seeking justice for the other victims and finding the dark truth. This film is a satire of rescue-the-girl action thrillers such as Taken, Man on Fire, The Call, or any action thriller with Liam Neeson or Nicolas Cage. Much like in real-life high-profile abduction cases, these movies often fall with the trope of missing white woman syndrome- the vast majority of these movies have victims that are white, blonde, wealthy, and innocent- while victims who are people of color and/or poor are often left in the shadows. This film will instead be a psychological neo-noir thriller focusing on the victim's point of view rather than that of the rescuer, in addition to being filmed in black-and-white a la Sin City.
