Age: 55
male
European-American businessman, entrepreneur, actor, voice actor, director, producer, and screenwriter. Brian Stepanek is from Cleveland, Ohio. His career began in Chicago, where he excelled in musical theater, toured with The Second City, and won a Joseph Jefferson Award for his portrayal of Bill Snibson in Me and My Girl. After moving to Los Angeles, he gained wide recognition playing the eccentric janitor Arwin Hawkhauser on Disney Channel's The Suite Life of Zack & Cody. He also produced, co-wrote, and starred in the silent slapstick series Brian O'Brien. Brian appeared as the nefarious and bigoted maitre d, Graham Kindell, opposite Viggo Mortensen and Mahershala Ali in the Oscar-winning film Green Book. His TV credits include Young Sheldon, where he delivered a memorable recurring performance as the irritable Hubert Givens; Nicky, Ricky, Dicky & Dawn (as Tom Harper); and reprising his role from the animated Loud House series as Lynn Loud Sr. for the live-action Paramount Plus series The Really Loud House. Brian has also recurred on Two and a Half Men, Best Foot Forward, and For All Mankind, among others. He has appeared in numerous Michael Bay films and recently returned to his musical theater roots when he appeared as Max Bialystock in the musical The Producers at the Renaissance Theatre in Mansfield, Ohio.
Brian Stepanek
Francis Marloe
for Francis Marloe in The Black Prince
Suggested by devahutiraichaliha
Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.
