Age: 69
male
Thomas Jeffrey Hanks (born July 9, 1956) is an American actor and filmmaker. Known for both his comedic and dramatic roles, Hanks is one of the most popular and recognizable film stars worldwide, and is widely regarded as an American cultural icon. Hanks made his breakthrough with leading roles in the comedies Splash (1984) and Big (1988). He won two consecutive Academy Awards for Best Actor for starring as a gay lawyer suffering from AIDS in Philadelphia (1993) and a young man with below-average IQ in Forrest Gump (1994). Hanks collaborated with film director Steven Spielberg on five films: Saving Private Ryan (1998), Catch Me If You Can (2002), The Terminal (2004), Bridge of Spies (2015), and The Post (2017), as well as the 2001 miniseries Band of Brothers, which launched him as a director, producer, and screenwriter. Hanks' other notable films include the romantic comedies Sleepless in Seattle (1993) and You've Got Mail (1998); the dramas Apollo 13 (1995), The Green Mile (1999), Cast Away (2000), Road to Perdition (2002), and Cloud Atlas (2012); and the biographical dramas Saving Mr. Banks (2013), Captain Phillips (2013), Sully (2016), and A Beautiful Day in the Neighborhood (2019). He has also appeared as the title character in the Robert Langdon film series, and has voiced Sheriff Woody in the Toy Story film series. Description above from the Wikipedia article Tom Hanks, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Tom Hanks
Bradley Pearson
for Bradley Pearson in The Black Prince
Suggested by devahutiraichaliha
Bradley Pearson, an unsuccessful novelist in his late fifties, has finally left his dull office job as an Inspector of Taxes. Bradley hopes to retire to the country, but predatory friends and relations dash his hopes of a peaceful retirement. He is tormented by his melancholic sister, who has decided to come live with him; his ex-wife, who has infuriating hopes of redeeming the past; her delinquent brother, who wants money and emotional confrontations; and Bradley's friend and rival, Arnold Baffin, a younger, deplorably more successful author of commercial fiction. The ever-mounting action includes marital cross-purposes, seduction, suicide, abduction, romantic idylls, murder, and due process of law. Bradley tries to escape from it all but fails, leading to a violent climax, and a coda that casts shifting perspectives on all that has preceded.
