Age: 57
male
Willard Carroll Smith II (born September 25, 1968) is an American actor and rapper. Known for variety of roles, Smith has received various accolades, including an Academy Award, a British Academy Film Award and four Grammy Awards. Smith began his acting career starring as a fictionalized version of himself on the NBC sitcom The Fresh Prince of Bel-Air (1990–1996). He first gained recognition as part of a hip hop duo with DJ Jazzy Jeff, with whom he released five studio albums and the US Billboard Hot 100 top 20 singles "Parents Just Don't Understand", "A Nightmare on My Street", "Summertime", "Ring My Bell", and "Boom! Shake the Room" from 1984 to 1994. He released the solo albums Big Willie Style (1997), Willennium (1999), Born to Reign (2002), and Lost and Found (2005), which contained the US number-one singles "Gettin' Jiggy wit It" and "Wild Wild West". He has received four Grammy Awards for his rap performances. Smith achieved wider fame as a leading man in films such as the action film Bad Boys (1995), its sequels Bad Boys II (2003) and Bad Boys for Life (2020), and the sci-fi comedies Men in Black (1997), Men in Black II (2002), and Men in Black 3 (2012). After starring in the thrillers Independence Day (1996) and Enemy of the State (1998), he received Academy Award for Best Actor nominations for his portrayal as Muhammad Ali in Ali (2001), and as Chris Gardner in The Pursuit of Happyness (2006). He then starred in a range of commercially successful films, including I, Robot (2004), Shark Tale (2004), Hitch (2005), I Am Legend (2007), Hancock (2008), Seven Pounds (2008), Suicide Squad (2016) and Aladdin (2019). For his portrayal of Richard Williams in the biographical sports drama King Richard (2021), Smith won the Academy Award, BAFTA Award, Golden Globe Award, and Screen Actors Guild Award for Best Actor.
Will Smith
Floyd Lawton / Deadshot
for Floyd Lawton / Deadshot in THE BATMAN
Suggested by miguelrodriguez
Gotham City breathes in shadows. The film opens in silence and rain as Thomas Wayne and Martha Wayne are murdered in a dark alley after a night at the theater. A young Bruce Wayne watches helplessly as his world collapses—an image that will haunt him long after Gotham forgets. Years later, Gotham is rotting from the inside out. A brutal wave of executions sweeps through the city’s criminal underworld. Each victim is found grotesquely mutilated, marked with ritualistic precision. The killings are soon traced to Victor Zsasz, a sadistic serial killer leaving scars not only on his own flesh, but on Gotham itself. Yet Zsasz is only the blade—not the hand guiding it. Behind the violence stands Black Mask, Roman Sionis, a calculating crime lord who uses fear, spectacle, and chaos to consolidate power. With the city’s mob families fractured, Black Mask seizes control, using Zsasz as his enforcer while hiding behind legitimate fronts and political connections. Working the case from the shadows is Batman—early in his war on crime, obsessive and methodical. His uneasy alliance with James Gordon, a weary but honest detective, allows him access to crime scenes the GCPD would rather keep sealed. Together, they uncover a conspiracy tying Gotham’s elite, its justice system, and organized crime into one festering wound. As the body count rises, a third player enters the hunt: Deadshot, a precision assassin hired to eliminate loose ends—including Zsasz himself. Deadshot’s presence turns Gotham into a battlefield, forcing Batman to confront an enemy who kills not out of madness, but professionalism. At the center of the web is Carmine Falcone, the aging crime patriarch who has survived every purge Gotham has ever seen. Falcone’s past dealings intertwine with the Waynes, raising uncomfortable questions for Bruce about his family’s legacy—and whether Gotham’s corruption was ever truly fought, or merely managed. Bruce’s only emotional anchor is Harvey Dent, his closest friend and an idealistic district attorney determined to save Gotham through the law. Their bond is genuine, hopeful—and fragile, strained by secrets Bruce cannot share and truths Harvey is not ready to face. A brief encounter with Selina Kyle, a thief navigating Gotham’s underbelly for her own survival, offers Bruce a glimpse of a different path—one driven not by vengeance, but escape. As Black Mask’s empire closes in on total control and Deadshot’s contract nears completion, Batman must choose what kind of symbol he will become. Not just a weapon in the dark—but a warning. The film concludes not with victory, but with realization: Gotham cannot be saved overnight. Justice here is slow, painful, and incomplete. And Batman is only just beginning.
