
Age: 59
male
Benicio Monserrate Rafael del Toro Sánchez (Latin American Spanish: [beˈnisjo ðel ˈtoɾo]; born February 19, 1967) is a Puerto Rican actor. His accolades include an Academy Award, a BAFTA Award, a Golden Globe, a Goya Award, a Cannes Film Festival Award for Best Actor, and a Silver Bear. Films in which he has appeared have grossed over $5.9 billion worldwide. Del Toro made his film debut in Big Top Pee-wee (1988) before his breakout role playing an unintelligible crook in the crime thriller The Usual Suspects (1995), followed by roles in Basquiat (1996), Fear and Loathing in Las Vegas (1998), and Snatch (2000). He received the Academy Award for Best Supporting Actor for his role as a morally upright police officer in the Steven Soderbergh crime drama Traffic (2000). He was nominated in the same category for his role as an ex-con in Alejandro González Iñárritu's thriller 21 Grams (2003). He has since acted in Sin City (2005), Che (2008), Savages (2012), Inherent Vice (2014), Sicario (2015), No Sudden Move (2021), and One Battle After Another (2025). He also took on franchise roles such as Lawrence Talbot in The Wolfman (2010), the Collector in three films from 2013 to 2018 in the Marvel Cinematic Universe, and DJ, the codebreaker, in Star Wars: The Last Jedi (2017). He also acted in the Wes Anderson films The French Dispatch (2021) and The Phoenician Scheme (2025). On television, he portrayed Richard Matt in the Showtime miniseries Escape at Dannemora (2018), for which he received a nomination for the Primetime Emmy Award for Outstanding Lead Actor in a Limited Series or Movie. Description above from the Wikipedia article Benicio del Toro, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Benicio del Toro

Roman Sionis / Black Mask
for Roman Sionis / Black Mask in THE BATMAN
Suggested by miguelrodriguez

Gotham City breathes in shadows. The film opens in silence and rain as Thomas Wayne and Martha Wayne are murdered in a dark alley after a night at the theater. A young Bruce Wayne watches helplessly as his world collapses—an image that will haunt him long after Gotham forgets. Years later, Gotham is rotting from the inside out. A brutal wave of executions sweeps through the city’s criminal underworld. Each victim is found grotesquely mutilated, marked with ritualistic precision. The killings are soon traced to Victor Zsasz, a sadistic serial killer leaving scars not only on his own flesh, but on Gotham itself. Yet Zsasz is only the blade—not the hand guiding it. Behind the violence stands Black Mask, Roman Sionis, a calculating crime lord who uses fear, spectacle, and chaos to consolidate power. With the city’s mob families fractured, Black Mask seizes control, using Zsasz as his enforcer while hiding behind legitimate fronts and political connections. Working the case from the shadows is Batman—early in his war on crime, obsessive and methodical. His uneasy alliance with James Gordon, a weary but honest detective, allows him access to crime scenes the GCPD would rather keep sealed. Together, they uncover a conspiracy tying Gotham’s elite, its justice system, and organized crime into one festering wound. As the body count rises, a third player enters the hunt: Deadshot, a precision assassin hired to eliminate loose ends—including Zsasz himself. Deadshot’s presence turns Gotham into a battlefield, forcing Batman to confront an enemy who kills not out of madness, but professionalism. At the center of the web is Carmine Falcone, the aging crime patriarch who has survived every purge Gotham has ever seen. Falcone’s past dealings intertwine with the Waynes, raising uncomfortable questions for Bruce about his family’s legacy—and whether Gotham’s corruption was ever truly fought, or merely managed. Bruce’s only emotional anchor is Harvey Dent, his closest friend and an idealistic district attorney determined to save Gotham through the law. Their bond is genuine, hopeful—and fragile, strained by secrets Bruce cannot share and truths Harvey is not ready to face. A brief encounter with Selina Kyle, a thief navigating Gotham’s underbelly for her own survival, offers Bruce a glimpse of a different path—one driven not by vengeance, but escape. As Black Mask’s empire closes in on total control and Deadshot’s contract nears completion, Batman must choose what kind of symbol he will become. Not just a weapon in the dark—but a warning. The film concludes not with victory, but with realization: Gotham cannot be saved overnight. Justice here is slow, painful, and incomplete. And Batman is only just beginning.