
Age: 68
male
Giancarlo Giuseppe Alessandro Esposito (born April 26, 1958) is an American actor. He is known for portraying Gus Fring in the AMC crime drama series Breaking Bad from 2009 to 2011 and its prequel series Better Call Saul from 2017 to 2022. He won the Critics' Choice Television Award for Best Supporting Actor in a Drama Series twice for this role. He earned three nominations for the Primetime Emmy Award for Outstanding Supporting Actor in a Drama Series. His other television roles include federal agent Mike Giardello in the NBC series Homicide: Life on the Street (1998–1999), Sidney Glass / Magic Mirror in the ABC fantasy series Once Upon a Time (2011–2017), Tom Neville in the NBC series Revolution (2012–2014), Dr. Edward Ruskins in the Netflix series Dear White People (2017–2021), Stan Edgar in the Amazon series The Boys (2019–present) and The Boys Presents: Diabolical (2022), and Moff Gideon in the Disney+ series The Mandalorian (2019–2023), the lattermost of which earned him two Primetime Emmy Award nominations. He also portrayed Adam Clayton Powell Jr. in the MGM+ series Godfather of Harlem (2019–present), acted in the HBO drama series Westworld (2016), and starred in the Netflix television series Kaleidoscope (2023), The Gentlemen (2024), and The Residence (2025). He is also known for his collaboration with Spike Lee, acting in several of his films, such as School Daze (1988), Do the Right Thing (1989), Mo' Better Blues (1990), and Malcolm X (1992). His other major films include Taps (1981), King of New York (1990), Bob Roberts (1992), Fresh (1994), The Usual Suspects (1995), Ali (2001), Monkeybone (2001), Last Holiday (2006), Rabbit Hole (2010), Okja (2017), Megalopolis (2024), MaXXXine (2024), and Captain America: Brave New World (2025). He voiced Akela in the live-action remake of The Jungle Book (2016). Description above from the Wikipedia article Giancarlo Esposito, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Giancarlo Esposito

Victor Fries/Mr. Freeze
for Victor Fries/Mr. Freeze in FEAR THE BATMAN
Suggested by leosalec

Gotham is no longer just afraid of crime. It is afraid of Batman. In the aftermath of the city’s brutal reckoning, Batman has become an unavoidable presence—seen in reflections, felt in silence, whispered about in interrogation rooms. Crime has not vanished, but it has evolved. Fear now shapes Gotham’s underworld as much as greed once did. At the center of Gotham’s fragile recovery stands Harvey Dent, the city’s charismatic and relentless District Attorney. Backed by Batman’s unseen influence and the law’s full force, Dent wages war on organized crime, targeting the remnants of Carmine Falcone’s empire and his longtime rival Salvatore Maroni. To Bruce Wayne, Harvey is more than a political ally—he is a friend, a symbol of hope, and proof that Gotham might still be saved without masks. That hope begins to rot. As the mob fractures, a series of public, theatrical crimes grip the city—crimes designed not for profit, but for attention. Behind them is The Joker, an emerging figure whose presence infects Gotham like a disease. He does not seek control. He seeks reaction. Fear. Laughter in the wrong places. He orchestrates chaos to expose the lie beneath order, forcing Batman into confrontations that are psychological as much as physical. At the same time, a new weapon spreads through Gotham’s streets: a refined hallucinogenic toxin. Its source is Scarecrow, operating quietly in the shadows, testing fear itself as a means of domination. Victims are left broken, screaming, or catatonic—haunted by visions of Batman as a monster rather than a savior. As tensions rise, Maroni strikes back. In a public attack meant to shatter Gotham’s faith in justice, Harvey Dent is horribly disfigured. The city watches its golden boy fall—while Batman watches a friend disappear. Dent survives, but something inside him fractures. The law that once guided him becomes a coin flip. Justice becomes punishment. Two-Face is born. Bruce Wayne, already battling the weight of his crusade, now carries another responsibility: Dick Grayson, a sharp, angry orphan taken in after a tragedy that mirrors Bruce’s own. As the first Robin, Dick becomes both Bruce’s greatest risk and his only chance at breaking the cycle—challenging Batman’s obsession with fear by reminding him of compassion. A brief reunion with Selina Kyle offers Bruce clarity. Selina sees Gotham for what it is—a city that feeds on symbols—and warns him that fear alone will consume everything it touches. As Joker manipulates Dent’s descent, Scarecrow’s toxin floods the streets, and the mob tears itself apart, Batman is forced to confront the truth: fear can inspire—but it can also destroy. The film culminates in a citywide psychological collapse, where Batman must stop Two-Face not just as a criminal, but as a man he failed… while refusing to become the monster Joker believes him to be. Gotham survives—but scarred. And Batman learns that fear is a tool… not a foundation.