
Age: 55
male
Jonathan Daniel Hamm (born March 10, 1971) is an American actor. He is best known for his role as Don Draper in the period drama series Mad Men (2007–2015), for which he won numerous accolades, including a Primetime Emmy Award and two Golden Globe Awards. Hamm also acted in lead roles in the films Stolen (2010), Million Dollar Arm (2014), Keeping Up with the Joneses (2016), Beirut (2018), and Confess, Fletch (2022), as well as his supporting roles in The Town (2010), Sucker Punch (2011), Bridesmaids (2011), Baby Driver (2017), Tag (2018), Bad Times at the El Royale (2018), The Report (2019), Richard Jewell (2019), No Sudden Move (2021), and Top Gun: Maverick (2022). He also provided voice acting roles in the animated films Shrek Forever After (2010), Minions (2015), and Transformers One (2024). He has appeared in the Sky Arts series A Young Doctor's Notebook, the Channel 4 dystopian anthology series Black Mirror, the Amazon Prime fantasy series Good Omens, the FX superhero series Legion (2018), and the FX crime anthology series Fargo. He was Emmy-nominated for his roles in 30 Rock, Unbreakable Kimmy Schmidt, and The Morning Show. He has also acted in Parks and Recreation and Curb Your Enthusiasm. Description above from the Wikipedia article Jon Hamm, licensed under CC-BY-SA, full list of contributors on Wikipedia.

Gotham is no longer just afraid of crime. It is afraid of Batman. In the aftermath of the city’s brutal reckoning, Batman has become an unavoidable presence—seen in reflections, felt in silence, whispered about in interrogation rooms. Crime has not vanished, but it has evolved. Fear now shapes Gotham’s underworld as much as greed once did. At the center of Gotham’s fragile recovery stands Harvey Dent, the city’s charismatic and relentless District Attorney. Backed by Batman’s unseen influence and the law’s full force, Dent wages war on organized crime, targeting the remnants of Carmine Falcone’s empire and his longtime rival Salvatore Maroni. To Bruce Wayne, Harvey is more than a political ally—he is a friend, a symbol of hope, and proof that Gotham might still be saved without masks. That hope begins to rot. As the mob fractures, a series of public, theatrical crimes grip the city—crimes designed not for profit, but for attention. Behind them is The Joker, an emerging figure whose presence infects Gotham like a disease. He does not seek control. He seeks reaction. Fear. Laughter in the wrong places. He orchestrates chaos to expose the lie beneath order, forcing Batman into confrontations that are psychological as much as physical. At the same time, a new weapon spreads through Gotham’s streets: a refined hallucinogenic toxin. Its source is Scarecrow, operating quietly in the shadows, testing fear itself as a means of domination. Victims are left broken, screaming, or catatonic—haunted by visions of Batman as a monster rather than a savior. As tensions rise, Maroni strikes back. In a public attack meant to shatter Gotham’s faith in justice, Harvey Dent is horribly disfigured. The city watches its golden boy fall—while Batman watches a friend disappear. Dent survives, but something inside him fractures. The law that once guided him becomes a coin flip. Justice becomes punishment. Two-Face is born. Bruce Wayne, already battling the weight of his crusade, now carries another responsibility: Dick Grayson, a sharp, angry orphan taken in after a tragedy that mirrors Bruce’s own. As the first Robin, Dick becomes both Bruce’s greatest risk and his only chance at breaking the cycle—challenging Batman’s obsession with fear by reminding him of compassion. A brief reunion with Selina Kyle offers Bruce clarity. Selina sees Gotham for what it is—a city that feeds on symbols—and warns him that fear alone will consume everything it touches. As Joker manipulates Dent’s descent, Scarecrow’s toxin floods the streets, and the mob tears itself apart, Batman is forced to confront the truth: fear can inspire—but it can also destroy. The film culminates in a citywide psychological collapse, where Batman must stop Two-Face not just as a criminal, but as a man he failed… while refusing to become the monster Joker believes him to be. Gotham survives—but scarred. And Batman learns that fear is a tool… not a foundation.
